TALKS AND LECTURES

2023

• AI and the Very Old World Order

• AI for Culture: Overcoming fear with understanding: Featuring „AI for Music“ – a 5-minute documentary based on an expert session held in Salzburg on the 4th August 2023

• AI for culture. What’s the missing link? - Panel discussion

• Angel Investors & Digitale Transformation – Early Stage und langfristige Unterstützung

• Artificial meets Artistic Intelligence (AIxAI): Opportunities for the Future of the Arts, Culture and Creative Economy

• Bad Ischl Salzkammergut 2024 European Capital of Culture Jour-Fixe - Art, Culture & Digitality within the framework of Salzkammergut 2024

• Bridging art, tech and the environment

• Can a European wealth tax close the green investment gap?

• Circular economy

• Collective Keynote by the FOUNDING LAB Students: The University of the 21st Century

• Complexity and information overflow – “What should I do with my life?

• Democracy and Society

• Designing Digital Spaces for Constructive Communication

• Development and management of a regional European Capital of Culture (ECoC)

• Education

• European Digital Deal Summit

• European Digital Sovereignty: The status quo and where to go - Panel discussion

• Financing Our Common Future: How to fund, hedge and manage our global commons

• “Future is Merely a Part of the Past Which Has Been Forgotten”: Art in Zones of Conflict - Panel discussion

• How does this university of the future embrace the arts?

• How do we attract top talent?

• How do we equip the students with the necessary capabilities to tackle AI?

• How to Debunk Fakes – Tools & Tricks - Interactive talk

• IDSA FOUNDING LAB: University of the Futures

• IDSA FOUNDING LAB: University of the Futures

• Interactive session: How susceptible are you to misinformation?

• Introduction to UNESCO “Defending Creative Voices” Report

• Key impulse talk on business issues around AI for culture

• Key Impulse talk on legal issues around AI for culture - Impulse talk

• Keynote Tandem: AI and Infrastructures of Care

• Mechathon: How to own the truth

• Non-economic Business Models in the Cultural Sector – Environment and Sustainability

• Not your data? Open relationship between culture and technology

• On the way & discovering - Artistic interventions in public space and cultural education within the framework of Salzkammergut 2024. A look at digital projects along the railway line and at the lake

• Opening Words on The Next Renaissance

• Overcoming barriers to Climate Action

• Ownership of narratives

• Panel Talk, Q&A with audience

• Prix Forum – Artificial Intelligence & Life Art

• Prix Forum – Digital Musics & Sound Art

• Promise and Perils of AI-mediated Political Communication - Keynote

• Prompt Battle

• Re-build Together: Digital, human and arts-driven innovation in Africa - Forum

• SHARESPACE – Panel Discussion - Panel Discussion about the project and the Open Call for Artists

• S+T+ARTS PRIZE 2023: Presentation of the Grand Prize Winners

• Technology, Power, and Truth. From the Invention of Writing to AI. - Keynote

• The future of democracy in the age of AI - Panel discussion

• The Generated Public Opinion

• The myth of tech innovation as a savior

• The Next Renaissance Initiative – Opening perspectives - The Next Renaissance: A Reflection on Privilege and Hope for an Urgent Global Movement

• The Next Renaissance Panel

• The Next Renaissance Platform: Call for Artists

• The Path Forward: Best practices for an AI-powered Europe

• The Third Culture: How AI is changing our consciousness - Keynote

• (Un)Earthing the Truth - Opening words

• Welcome to the FOUNDING LAB: IDSA starts

• What can humans do against misinformation?

• (What) can I believe? - Panel discussion

• “When Home is a Forgotten Song”: Art under Ecological Collapse - Panel discussion

• Who owns Space?

• Who owns the Deep Sea?

• Who Owns the World? - Machine learning and hegemon

• Workshop: Country Centered Design: A pathway for embedding Indigenous Protocols into Artificial Intelligence

• AI and the Very Old World Order

• AI for Culture: Overcoming fear with understanding: Featuring „AI for Music“ – a 5-minute documentary based on an expert session held in Salzburg on the 4th August 2023

• AI for culture. What’s the missing link? - Panel discussion

• Angel Investors & Digitale Transformation – Early Stage und langfristige Unterstützung

• Artificial meets Artistic Intelligence (AIxAI): Opportunities for the Future of the Arts, Culture and Creative Economy

• Bad Ischl Salzkammergut 2024 European Capital of Culture Jour-Fixe - Art, Culture & Digitality within the framework of Salzkammergut 2024

• Bridging art, tech and the environment

• Can a European wealth tax close the green investment gap?

• Circular economy

• Collective Keynote by the FOUNDING LAB Students: The University of the 21st Century

• Complexity and information overflow – “What should I do with my life?

• Democracy and Society

• Designing Digital Spaces for Constructive Communication

• Development and management of a regional European Capital of Culture (ECoC)

• Education

• European Digital Deal Summit

• European Digital Sovereignty: The status quo and where to go - Panel discussion

• Financing Our Common Future: How to fund, hedge and manage our global commons

• “Future is Merely a Part of the Past Which Has Been Forgotten”: Art in Zones of Conflict - Panel discussion

• How does this university of the future embrace the arts?

• How do we attract top talent?

• How do we equip the students with the necessary capabilities to tackle AI?

• How to Debunk Fakes – Tools & Tricks - Interactive talk

• IDSA FOUNDING LAB: University of the Futures

• IDSA FOUNDING LAB: University of the Futures

• Interactive session: How susceptible are you to misinformation?

• Introduction to UNESCO “Defending Creative Voices” Report

• Key impulse talk on business issues around AI for culture

• Key Impulse talk on legal issues around AI for culture - Impulse talk

• Keynote Tandem: AI and Infrastructures of Care

• Mechathon: How to own the truth

• Non-economic Business Models in the Cultural Sector – Environment and Sustainability

• Not your data? Open relationship between culture and technology

• On the way & discovering - Artistic interventions in public space and cultural education within the framework of Salzkammergut 2024. A look at digital projects along the railway line and at the lake

• Opening Words on The Next Renaissance

• Overcoming barriers to Climate Action

• Ownership of narratives

• Panel Talk, Q&A with audience

• Prix Forum – Artificial Intelligence & Life Art

• Prix Forum – Digital Musics & Sound Art

• Promise and Perils of AI-mediated Political Communication - Keynote

• Prompt Battle

• Re-build Together: Digital, human and arts-driven innovation in Africa - Forum

• SHARESPACE – Panel Discussion - Panel Discussion about the project and the Open Call for Artists

• S+T+ARTS PRIZE 2023: Presentation of the Grand Prize Winners

• Technology, Power, and Truth. From the Invention of Writing to AI. - Keynote

• The future of democracy in the age of AI - Panel discussion

• The Generated Public Opinion

• The myth of tech innovation as a savior

• The Next Renaissance Initiative – Opening perspectives - The Next Renaissance: A Reflection on Privilege and Hope for an Urgent Global Movement

• The Next Renaissance Panel

• The Next Renaissance Platform: Call for Artists

• The Path Forward: Best practices for an AI-powered Europe

• The Third Culture: How AI is changing our consciousness - Keynote

• (Un)Earthing the Truth - Opening words

• Welcome to the FOUNDING LAB: IDSA starts

• What can humans do against misinformation?

• (What) can I believe? - Panel discussion

• “When Home is a Forgotten Song”: Art under Ecological Collapse - Panel discussion

• Who owns Space?

• Who owns the Deep Sea?

• Who Owns the World? - Machine learning and hegemon

• Workshop: Country Centered Design: A pathway for embedding Indigenous Protocols into Artificial Intelligence

2022

• A Plantless Planet: Art and Science as a Tool for Plant Resistance

• Dear Karin – In Memoriam Karin Ohlenschläger – Teil 1

• Dear Karin – In Memoriam Karin Ohlenschläger – Teil 2

• Deep Space Concert: Philip Glass 85

• Deep Space Lecture: Auf den Schwingen des ADLERs - die Detektion von Kleinst-Weltraumschrott

• Deep Space Lecture: Gustav Klimts Bilder von Frauen - mit den Frauenbildnissen von Rebecca Merlic

• Digital Theatre — Democratization of a Medium. Teil 1

• Digital Theatre — Democratization of a Medium. Teil 2

• Directors Talk: Creative Resilience for a Planet B

• Earth4All – A Survival Guide for Humanity.

• GET.Inspired by Best Practice

• „Handel“ vs. „handeln“ und „Unternehmer“ vs. „unternehmen“ auf dem Planeten B

• Hatching the Future of Museums

• How to create "Media of the Future" | Ars Electronica Futurelab

• Inside Futurelab: Deep Virtual

• Inside Futurelab: Oribotic Instuments

• Keynote by Carmody Grey

• Keynote by Ernst Ulrich von Weizsäcker

• Keynote Ernst Ulrich von Weizsäcker - Opening Words by Till Kellerhoff

• Keynote STARTS Day

• Life Ink: When mind and body generate unique ink | Ars Electronica Futurelab

• More than just survival: "Work of the Future" | Ars Electronica Futurelab

• Morning Inspirations: Creative Resilience for a Planet B

• Network Ecologies: Commitment to Change as a Way out of Crisis

• Prix Forum: Computer Animation

• Prix Forum: Digital Communities

• Prix Forum: Interactive Art +

• Prix Forum Wrap-Up

• Repairing the Present :REWORLD :REWILD and :RETOOL

• Residency. But How?

• Spotlight by Audrey Tang – Free the Future

• Spotlight by Giulia Foscari

• Spotlight by Holly Herndon and Mathew Dryhurst

• Spotlight by Selina Neirok Leem

• State of the ART(ist) Live Sessions, Day 1: State of Emergency

• State of the ART(ist) Live Sessions, Day 2: State of Urgency

• State of the ART(ist) Live Sessions, Day 3, State of Convergency

• Strategies of Culturing

• The International Environmental and Climate Court: Case Energy

• The International Environmental and Climate Court: Case Migration - 1

• The International Environmental and Climate Court: Case Migration - 2

• The International Environmental and Climate Court: Case Water – 1

• The International Environmental and Climate Court: Case Water – 2

• The International Environmental and Climate Court: Case Water – 3

• The Stories We Tell Ourselves: Misinformation and Climate Change

• Transdisciplinary Cultures of Collaboration

• Urgent Crises, Slow Solutions: A Conversation about the Open Movement, Craft Technologies and a Sustainable Internet.

• Visionary Pioneer´s Lecture

• Visionary Pioneer´s Lecture - Laudatio für Laurie Anderson

• Welcome to STARTS Day by European Commission

• What is the "Humanity of the Future"? | Ars Electronica Futurelab

• Work of the Future

• A Plantless Planet: Art and Science as a Tool for Plant Resistance

• Dear Karin – In Memoriam Karin Ohlenschläger – Part 1

• Dear Karin – In Memoriam Karin Ohlenschläger – Part 2

• Deep Space Concert: Philip Glass 85

• Deep Space Lecture: Auf den Schwingen des ADLERs - die Detektion von Kleinst-Weltraumschrott

• Deep Space Lecture: Gustav Klimts Bilder von Frauen - mit den Frauenbildnissen von Rebecca Merlic

• Digital Theatre — Democratization of a Medium. Part 1

• Digital Theatre — Democratization of a Medium. Part 2

• Directors Talk: Creative Resilience for a Planet B

• Earth4All – A Survival Guide for Humanity.

• Entrepreneurship on Planet B

• GET.Inspired by Best Practice

• Hatching the Future of Museums

• How to create "Media of the Future" | Ars Electronica Futurelab

• Inside Futurelab: Deep Virtual

• Inside Futurelab: Oribotic Instuments

• Keynote by Carmody Grey

• Keynote by Ernst Ulrich von Weizsäcker

• Keynote Ernst Ulrich von Weizsäcker - Opening Words by Till Kellerhoff

• Keynote STARTS Day

• Life Ink: When mind and body generate unique ink | Ars Electronica Futurelab

• More than just survival: "Work of the Future" | Ars Electronica Futurelab

• Morning Inspirations: Creative Resilience for a Planet B

• Network Ecologies: Commitment to Change as a Way out of Crisis

• Prix Forum: Computer Animation

• Prix Forum: Digital Communities

• Prix Forum: Interactive Art +

• Prix Forum Wrap-Up

• Repairing the Present :REWORLD :REWILD and :RETOOL

• Residency. But How?

• Spotlight by Audrey Tang – Free the Future

• Spotlight by Giulia Foscari

• Spotlight by Holly Herndon and Mathew Dryhurst

• Spotlight by Selina Neirok Leem

• State of the ART(ist) Live Sessions, Day 1: State of Emergency

• State of the ART(ist) Live Sessions, Day 2: State of Urgency

• State of the ART(ist) Live Sessions, Day 3, State of Convergency

• Strategies of Culturing

• The International Environmental and Climate Court: Case Energy

• The International Environmental and Climate Court: Case Migration - 1

• The International Environmental and Climate Court: Case Migration - 2

• The International Environmental and Climate Court: Case Water – 1

• The International Environmental and Climate Court: Case Water – 2

• The International Environmental and Climate Court: Case Water – 3

• The Stories We Tell Ourselves: Misinformation and Climate Change

• Transdisciplinary Cultures of Collaboration

• Urgent Crises, Slow Solutions: A Conversation about the Open Movement, Craft Technologies and a Sustainable Internet.

• Visionary Pioneer´s Lecture

• Visionary Pioneer´s Lecture - Laudatio for Laurie Anderson

• Welcome to STARTS Day by European Commission

• What is the "Humanity of the Future"? | Ars Electronica Futurelab

• Work of the Future

2021

• AI x Civil Society

• AI x Digital Humanism

• AI x Feudalism

• AI x Media Literacy

• AI x Music (Episode II)

• Alignment of Rhythms in Live Coded Audio-Visual Performance

• A Look at the Good From the Bad!

• Ars Electronica Throwback: TeleGarden

• Artificial Intelligence & Life Art: Im/Material Infrastructures

• Art Thinking Forum by Hakuhodo x Ars Electronica

• At home with… Fabricio Lamoncha

• Audiovisual Performance Notation

• Beat the Clock mit Marco Palewicz

• Branch Magazine Symposium: Closing Plenary with Keynote and Wrap-Up

• Branch Magazine Symposium: Welcome and Opening Plenary

• Climate Change Education and the Internet

• Computer Animation: The Re-enchantment of Humanism

• Cooperative Aesthetics: 3D Shapes

• Cooperative Aesthetics: Curves

• Cooperative Aesthetics: Kaleidoscope

• Cooperative Aesthetics: Particle Collage

• Cooperative Aesthetics: Particle Flow

• Cooperative Aesthetics: PingPong

• Creating with Data: From Arts to Entrepreneurship

• Crowd-Based Game Development in Pandemic Times

• Cyber Limbo

• Data Deep Dive: On visualizing critical challenges

• Deep Space LIVE: Seltene Perlen des Deep Space 8K mit Christoph Kremer

• Deep Space Special: Marco Kleebauer

• Digital Musics & Sound Art: A Pandemic Didn’t Stop the Sound

• Dream Buckets

• Embodied Narratives

• Entagma: Proceduralism – The New Normal

• Expanded Critical Animersion

• Fabrication Deep Dive: On the future of sustainable manufacturing

• Global Independent Immaterial Authenticity

• How to Keep Doing Stuff

• Im Center mit... Birgitt Schäffer: Rotes Gold

• Im Center mit... Christoph Kremer: Calimero

• Im Center mit… Christoph Kremer: Chaos

• Inside Festival 07: 27 Days, 648 Hours, 38.880 Minutes

• Inside Festival 09: 20 Days, 480 Hours, 28.800 Minutes

• Inside Festival 10: 15 Days, 360 Hours, 21.600 Minutes

• Inside Festival 11: 11 Days, 264 Hours, 15.840 Minutes

• Inside Festival 12: 8 Days, 192 Hours, 11.520 Minutes

• Inside Festival 13: 5 Days, 138 Hours, 8.280 Minutes

• Inside Futurelab: Directors Talk – 25 years Ars Electronica Futurelab and beyond

• Inside Futurelab: Meta Sketching – guest presentation by artist and designer Mike Jelinek

• Inside Futurelab: Night Performances – Morphologies

• Inside Futurelab: The Future of Medical Studies, Today

• Intercitizenships and the Internet(s) of Solidarity and Care

• Keynote: Amy Whitaker

• Keynote: Francesca Bria

• Keynote: Joe Davis

• Keynote: Kate Crawford

• Liveware: Improvisation, Interaction, and Process Intensity

• MADE IN YOUR CITY: A NEW VALUE CHAIN FOR FASHION

• Mamavisor

• Music as a Path-Guide to Animate

• Painting Music

• Panel Discussion "Hearing Colour Seeing Sound"

• Panel Discussion “In Front of Your Eyes and Ears”

• Panel Discussion: Tectonic Shift

• Rachael Is Not Real

• Remote Kaffee mit Dalibor Truhlar, dem erfolgreichsten YouTuber der Welt für Funny Commercials

• Siri, such „Programmiererin“: Keynote

• Siri, such „Programmiererin“: Panel Diskussion

• Solarpunk and Other Worlds

• STARTS Talk: In Conversation with Anastasia Pistofidou & Marion Real

• STARTS Talk: In Conversation with Territorial Agency

• Synaesthetic Syntax – Keynote: Refik Anadol

• Tendril: The Art of Negotiating a Creative Collaboration

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview (Teil 1)

• The Practice of Art and AI - Interview (Teil 2)

• Traumatic forms of Remembering

• Umwelt & Ressourcen: Die Erfindung der Nachhaltigkeit

• Umwelt & Ressourcen: Die Welt ist nicht genug

• Update: CCI Lab – Faserland

• Update: CCI Lab – Labor der Sinne

• Update: Design by Decay, Decay by Design, by Andrea Ling

• Update: Exoskelette – Cray X

• Update: Growing Patterns, Living Pigments. – Julia Moser

• User Manual for Digital Humanists: ArtScience Special

• User Manual for Digital Humanists: Chapter 1

• User Manual for Digital Humanists: Chapter 3

• User Manual for Digital Humanists: Chapter 4

• User Manual for Digital Humanists: Chapter 5 – Festival Edition

• Visible Vibrations: Steven Woloshen’s Direct Animations and Jazz

• Visual Music Through Media Archaeology

• Zu Hause mit... Bernhard Mühleder

• Zu Hause mit… Künstlerin Barbara Ungepflegt

• AI x Civil Society

• AI x Digital Humanism

• AI x Feudalism

• AI x Media Literacy

• AI x Music (Episode II)

• Alignment of Rhythms in Live Coded Audio-Visual Performance

• A Look at the Good From the Bad!

• Ars Electronica Throwback: TeleGarden

• Artificial Intelligence & Life Art: Im/Material Infrastructures

• Art Thinking Forum by Hakuhodo x Ars Electronica

• At home with… Fabricio Lamoncha

• Audiovisual Performance Notation

• Beat the Clock mit Marco Palewicz

• Branch Magazine Symposium: Closing Plenary with Keynote and Wrap-Up

• Branch Magazine Symposium: Welcome and Opening Plenary

• Climate Change Education and the Internet

• Computer Animation: The Re-enchantment of Humanism

• Cooperative Aesthetics: 3D Shapes

• Cooperative Aesthetics: Curves

• Cooperative Aesthetics: Kaleidoscope

• Cooperative Aesthetics: Particle Collage

• Cooperative Aesthetics: Particle Flow

• Cooperative Aesthetics: PingPong

• Creating with Data: From Arts to Entrepreneurship

• Crowd-Based Game Development in Pandemic Times

• Cyber Limbo

• Data Deep Dive: On visualizing critical challenges

• Deep Space LIVE: Seltene Perlen des Deep Space 8K mit Christoph Kremer

• Deep Space Special: Marco Kleebauer

• Digital Musics & Sound Art: A Pandemic Didn’t Stop the Sound

• Dream Buckets

• Embodied Narratives

• Entagma: Proceduralism – The New Normal

• Expanded Critical Animersion

• Fabrication Deep Dive: On the future of sustainable manufacturing

• Global Independent Immaterial Authenticity

• How to Keep Doing Stuff

• Im Center mit... Birgitt Schäffer: Rotes Gold

• Im Center mit... Christoph Kremer: Calimero

• Im Center mit… Christoph Kremer: Chaos

• Inside Festival 07: 27 Days, 648 Hours, 38.880 Minutes

• Inside Festival 09: 20 Days, 480 Hours, 28.800 Minutes

• Inside Festival 10: 15 Days, 360 Hours, 21.600 Minutes

• Inside Festival 11: 11 Days, 264 Hours, 15.840 Minutes

• Inside Festival 12: 8 Days, 192 Hours, 11.520 Minutes

• Inside Festival 13: 5 Days, 138 Hours, 8.280 Minutes

• Inside Futurelab: Directors Talk – 25 years Ars Electronica Futurelab and beyond

• Inside Futurelab: Meta Sketching – guest presentation by artist and designer Mike Jelinek

• Inside Futurelab: Night Performances – Morphologies

• Inside Futurelab: The Future of Medical Studies, Today

• Intercitizenships and the Internet(s) of Solidarity and Care

• Keynote: Amy Whitaker

• Keynote: Francesca Bria

• Keynote: Joe Davis

• Keynote: Kate Crawford

• Liveware: Improvisation, Interaction, and Process Intensity

• MADE IN YOUR CITY: A NEW VALUE CHAIN FOR FASHION

• Mamavisor

• Music as a Path-Guide to Animate

• Painting Music

• Panel Discussion "Hearing Colour Seeing Sound"

• Panel Discussion “In Front of Your Eyes and Ears”

• Panel Discussion: Tectonic Shift

• Rachael Is Not Real

• Remote Kaffee mit Dalibor Truhlar, dem erfolgreichsten YouTuber der Welt für Funny Commercials

• Siri, such „Programmiererin“: Keynote

• Siri, such „Programmiererin“: Panel Discussion

• Solarpunk and Other Worlds

• STARTS Talk: In Conversation with Anastasia Pistofidou & Marion Real

• STARTS Talk: In Conversation with Territorial Agency

• Synaesthetic Syntax – Keynote: Refik Anadol

• Tendril: The Art of Negotiating a Creative Collaboration

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview

• The Practice of Art and AI - Interview (part 1)

• The Practice of Art and AI - Interview (part 2)

• Traumatic forms of Remembering

• Umwelt & Ressourcen: Die Erfindung der Nachhaltigkeit

• Umwelt & Ressourcen: Die Welt ist nicht genug

• Update: CCI Lab – Faserland

• Update: CCI Lab – Labor der Sinne

• Update: Design by Decay, Decay by Design, by Andrea Ling

• Update: Exoskelette – Cray X

• Update: Growing Patterns, Living Pigments. – Julia Moser

• User Manual for Digital Humanists: ArtScience Special

• User Manual for Digital Humanists: Chapter 1

• User Manual for Digital Humanists: Chapter 3

• User Manual for Digital Humanists: Chapter 4

• User Manual for Digital Humanists: Chapter 5 – Festival Edition

• Visible Vibrations: Steven Woloshen’s Direct Animations and Jazz

• Visual Music Through Media Archaeology

• Zu Hause mit... Bernhard Mühleder

• Zu Hause mit… Künstlerin Barbara Ungepflegt

2020

• #21xoxo (Artist Talk)

• A Hidden Order – Revealing Connections Between Geometry and Music Through Harmony and Mathematics

• A Hypothesis-Based Approach to Visual Synthesizer Design

• AI x Ecology

• AI x Humanity

• AIxMusic – Artificial Stupidity

• AI x Uncertainty

• Algorithms of Oppression – How Search Engines Reinforce Racism

• All That Was Old Is New Again

• Appeal of the Analogue: Real-Word Abstractions

• Ars Electronica AIxMusic Online Hackathon: Final Presentations

• Ars Electronica Export – Outlook and Insights

• Ars Electronica Futurelab Creative Question Challenge: Art–Education

• Ars Electronica Futurelab Creative Question Challenge: Art – Governance

• Ars Electronica Futurelab Creative Question Challenge: Art – Science – Innovation

• Ars Electronica Futurelab Creative Question Challenge: Future Ink

• Art Thinking at Espronceda

• Art Thinking Forum: Humanizing Technology

• Art Thinking in Practice, Curation, Teaching and Research

• Art Thinking in STARTS

• At home with… Davide Bevilacqua

• At home with… Emiko Ogawa

• At home with… Enrique Tomás

• Average Happiness (Artist Talk)

• Best Practices for the Conservation of Media Art from an Artist’s Perspective

• Be Water by HongKongers (Artist Talk)

• Business Models for Online Contents

• COVID -19 Crisis: Optionen der Zivilgesellschaft und der Sozialen Medien

• COVID-19 Crisis: Wie könnte/kann sich die Gesellschaft ändern?

• COVID-19 Crisis: Zukunftszenarien

• Creative Question Challenge: Autonomy – Democracy

• Creative Question Challenge: Ecology-Technology

• Deep Space Family: Universum Mensch III

• Deep Space: FOR FOREST – The Unending Attraction of Nature

• Deep Space Highlights: Mona Lisa

• Deep Space: Kulturelles Erbe – Aufstieg und Niedergang von Hochkulturen

• Deep Space LIVE: Geophysik, Drohne, Laserscan … mit Hightech den Römern auf der Spur

• Deep Space LIVE: Gletscher – Sinnbild eines stetigen Wandels

• Deep Space LIVE: Vom geozentrischen über das heliozentrische zum kosmozentrischen Weltbild

• Deep Space: Pianographique

• Deep Space: Weltkulturerbe in Italien – Pompeji und Pisa

• Demystifying AI with Music

• DEPART: Virtual Gardening in “The Entropy Gardens”

• EDEN Ethics – Durability – Ecology – Nature

• Estranging Digital Racial Terrorism After COVID

• Expanded Cinema and Para Animation: More than Audio and Visual

• Experimental: Inside 3D Printer

• Experimental: Inside Seamoons

• Family Tour - Comic Collage Cut

• Family Tour - Johannes Kepler

• Family Tour - Mikrokosmos der Zellen

• Fashion. Technology. Sustainability. – 1

• Fashion. Technology. Sustainability. – 2

• Forging A More Inclusive Game Industry

• From Art Making to Art Thinking for Innovation Catalysing

• Frontiers of Music and Artificial Intelligence by IRCAM (FR)

• Gesture Interaction Between Sound and Image

• Get.Inspired

• Google Maps Hacks (Artist Talk)

• How an institution dedicated to digital culture dealt with the crisis?

• How do museums deal with digital reality?

• How ready is the gallery world for digital interfaces?

• Im Center mit... Johannes Stürzlinger: Pickerl

• Infinitely Yours (Artist Talk)

• Inside Festival: Festivals in times of COVID-19

• Inside Festival: Joanna Bryson / Gerfried Stocker

• Inside Festival: Lorena Jaume Palasì / Gerfried Stocker

• Inside Festival: Roger de Weck / Renata Schmidtkunz / Gerfried Stocker

• Inside Futurelab: Our Social Forest – Non-verbal communions in the era of social distancing

• Inside Futurelab: Ricercar

• Key Note: Joanna Bryson

• Key Note: Lorena Jaume Palasì

• Keynote Lynn Hershman Leeson (US)

• Key Note: Neri Oxman

• Keynote: Sounding Together – Choreographing the Unpredictable

• Looking to the Future

• Making of OPERA

• Mapping Collaborative Practice

• Music as Experience in an age of Artificial Intelligence and Computational Creativity

• Narrative Design and Story Integration in Might & Magic

• Networked Archives

• Only a Health Crisis?

• On Roots and Fruits (Panel Discussion)

• On Roots and Fruits (Talks)

• Panel Discussion: "A New Media Manifesto"

• Panel Discussion: “Hearing Colour Seeing Sound”

• Panel Discussion “In Front of your Eyes and Ears”

• Panel Discussion “The Kinaesthetics of Music and Vision”

• Physical Presence and Material Desire: Eric Dyer’s Sculptural and Performative Animation Art Practice

• PIANO PHASE for Two Pianists in VR

• Presence and Interaction in Synaesthetic Space

• Prix Forum Computer Animation

• Prix Forum Digital Communities

• Prix Forum Interactive Art +

• Radicalization by Design

• Random Seed: Using Gardening as a Metaphor for Machine Learning in a Creative Practise

• Réka Bucsi Makes Movies

• Rethinking Firmitas. Design processes from the bottom up and back (Artist Talk)

• Salon Universitas

• Science Talk: Asteroiden und Kometen – Unglücksboten oder fantastische Vagabunden des Himmels

• Science Talk: BioArt with Nature

• Science Talk: Biohacking with Andreas Stürmer

• Science Talk: CSI Litzlberg & SOKO Weyregg – Ärchäologie rund um den Attersee mit Dr. Stefan Traxler

• Science Talk: Digitaler Stress – wie er uns kaputt macht und was wir dagegen tun können

• Shadow Stalker (Artist Talk)

• SOMEONE (Artist Talk)

• S+T+ARTS Talk: Art & Tech for Urban Resilience

• STUDIOTOPIA - Creative Question Challenge: Between scientific discovery and perceptual expansion

• STUDIOTOPIA - Creative Question Challenge: Can unheard signals inspire change?

• STUDIOTOPIA - Creative Question Challenge: Examining organic and digital ecosystems

• STUDIOTOPIA - Creative Question Challenge: Human being and “soft” technologies

• STUDIOTOPIA - Creative Question Challenge: Hybrid forms of being together

• STUDIOTOPIA – Creative Question Challenge: Radical change by working together

• STUDIOTOPIA - Creative Question Challenge: The Organ of Consciousness

• Synaesthetic Syntax: Closing Note

• Telling The Future Through Art and Technology

• The New Real: Experiental AI and the AI Lab

• The role of the gallery as gatekeeper in 2020

• The Women in Media Art: Telematic Performance

• Total Refusal: THE HYPERREALISTIC MACHINIMA MACHINE.

• Tour: Project Alias – how to hack your tech

• Towards a “Live Synaesthetic Visualisation”? Considerations in Artistically Visualised Sound

• Tutorial: Der Regenbogen aus dem Küchenlabor

• Tutorial: Earth Observation Browser

• Tutorial: Seedbombs – Flower to the people!

• Tutorial: The Joy of AI Painting

• Update: APeel – cooking new materials with Youyang Song

• Vis. [un]necessary force_3 (Artist Talk)

• What are the key ingredients of a social media strategy in 2020 for the art industry?

• What is the learning of 2020?

• Which Image of Society Made Society so Vulnerable?

• Why is Society so Vulnerable

• Will digitalisation lead to a more transparent market?

• Zu Hause mit… David Jentgens

• Zu Hause mit... Nana Tylo

• #21xoxo (Artist Talk)

• A Hidden Order – Revealing Connections Between Geometry and Music Through Harmony and Mathematics

• A Hypothesis-Based Approach to Visual Synthesizer Design

• AI x Ecology

• AI x Humanity

• AIxMusic – Artificial Stupidity

• AI x Uncertainty

• Algorithms of Oppression – How Search Engines Reinforce Racism

• All That Was Old Is New Again

• Appeal of the Analogue: Real-Word Abstractions

• Ars Electronica AIxMusic Online Hackathon: Final Presentations

• Ars Electronica Export – Outlook and Insights

• Ars Electronica Futurelab Creative Question Challenge: Art–Education

• Ars Electronica Futurelab Creative Question Challenge: Art – Governance

• Ars Electronica Futurelab Creative Question Challenge: Art – Science – Innovation

• Ars Electronica Futurelab Creative Question Challenge: Future Ink

• Art Thinking at Espronceda

• Art Thinking Forum: Humanizing Technology

• Art Thinking in Practice, Curation, Teaching and Research

• Art Thinking in STARTS

• At home with… Davide Bevilacqua

• At home with… Emiko Ogawa

• At home with… Enrique Tomás

• Average Happiness (Artist Talk)

• Best Practices for the Conservation of Media Art from an Artist’s Perspective

• Be Water by HongKongers (Artist Talk)

• Business Models for Online Contents

• COVID-19 Crisis: Future Scenarios

• COVID-19 Crisis: How could/can society change?

• COVID -19 Crisis: What options does civil society and social media have?

• Creative Question Challenge: Autonomy – Democracy

• Creative Question Challenge: Ecology-Technology

• Deep Space Family: Universum Mensch III

• Deep Space: FOR FOREST – The Unending Attraction of Nature

• Deep Space Highlights: Mona Lisa

• Deep Space: Kulturelles Erbe – Aufstieg und Niedergang von Hochkulturen

• Deep Space LIVE: Geophysik, Drohne, Laserscan … mit Hightech den Römern auf der Spur

• Deep Space LIVE: Gletscher – Sinnbild eines stetigen Wandels

• Deep Space LIVE: Vom geozentrischen über das heliozentrische zum kosmozentrischen Weltbild

• Deep Space: Pianographique

• Deep Space: Weltkulturerbe in Italien – Pompeji und Pisa

• Demystifying AI with Music

• DEPART: Virtual Gardening in “The Entropy Gardens”

• EDEN Ethics – Durability – Ecology – Nature

• Estranging Digital Racial Terrorism After COVID

• Expanded Cinema and Para Animation: More than Audio and Visual

• Experimental: Inside 3D Printer

• Experimental: Inside Seamoons

• Family Tour - Comic Collage Cut

• Family Tour - Johannes Kepler

• Family Tour - Mikrokosmos der Zellen

• Fashion. Technology. Sustainability. – 1

• Fashion. Technology. Sustainability. – 2

• Forging A More Inclusive Game Industry

• From Art Making to Art Thinking for Innovation Catalysing

• Frontiers of Music and Artificial Intelligence by IRCAM (FR)

• Gesture Interaction Between Sound and Image

• Get.Inspired

• Google Maps Hacks (Artist Talk)

• How an institution dedicated to digital culture dealt with the crisis?

• How do museums deal with digital reality?

• How ready is the gallery world for digital interfaces?

• Im Center mit... Johannes Stürzlinger: Pickerl

• Infinitely Yours (Artist Talk)

• Inside Festival: Festivals in times of COVID-19

• Inside Festival: Joanna Bryson / Gerfried Stocker

• Inside Festival: Lorena Jaume Palasì / Gerfried Stocker

• Inside Festival: Roger de Weck / Renata Schmidtkunz / Gerfried Stocker

• Inside Futurelab: Our Social Forest – Non-verbal communions in the era of social distancing

• Inside Futurelab: Ricercar

• Key Note: Joanna Bryson

• Key Note: Lorena Jaume Palasì

• Keynote Lynn Hershman Leeson (US)

• Key Note: Neri Oxman

• Keynote: Sounding Together – Choreographing the Unpredictable

• Looking to the Future

• Making of OPERA

• Mapping Collaborative Practice

• Music as Experience in an age of Artificial Intelligence and Computational Creativity

• Narrative Design and Story Integration in Might & Magic

• Networked Archives

• Only a Health Crisis?

• On Roots and Fruits (Panel Discussion)

• On Roots and Fruits (Talks)

• Panel Discussion: "A New Media Manifesto"

• Panel Discussion: “Hearing Colour Seeing Sound”

• Panel Discussion “In Front of your Eyes and Ears”

• Panel Discussion “The Kinaesthetics of Music and Vision”

• Physical Presence and Material Desire: Eric Dyer’s Sculptural and Performative Animation Art Practice

• PIANO PHASE for Two Pianists in VR

• Presence and Interaction in Synaesthetic Space

• Prix Forum Computer Animation

• Prix Forum Digital Communities

• Prix Forum Interactive Art +

• Radicalization by Design

• Random Seed: Using Gardening as a Metaphor for Machine Learning in a Creative Practise

• Réka Bucsi Makes Movies

• Rethinking Firmitas. Design processes from the bottom up and back (Artist Talk)

• Salon Universitas

• Science Talk: Asteroiden und Kometen – Unglücksboten oder fantastische Vagabunden des Himmels

• Science Talk: BioArt with Nature

• Science Talk: Biohacking with Andreas Stürmer

• Science Talk: CSI Litzlberg & SOKO Weyregg – Ärchäologie rund um den Attersee mit Dr. Stefan Traxler

• Science Talk: Digitaler Stress – wie er uns kaputt macht und was wir dagegen tun können

• Shadow Stalker (Artist Talk)

• SOMEONE (Artist Talk)

• S+T+ARTS Talk: Art & Tech for Urban Resilience

• STUDIOTOPIA - Creative Question Challenge: Between scientific discovery and perceptual expansion

• STUDIOTOPIA - Creative Question Challenge: Can unheard signals inspire change?

• STUDIOTOPIA - Creative Question Challenge: Examining organic and digital ecosystems

• STUDIOTOPIA - Creative Question Challenge: Human being and “soft” technologies

• STUDIOTOPIA - Creative Question Challenge: Hybrid forms of being together

• STUDIOTOPIA – Creative Question Challenge: Radical change by working together

• STUDIOTOPIA - Creative Question Challenge: The Organ of Consciousness

• Synaesthetic Syntax: Closing Note

• Telling The Future Through Art and Technology

• The New Real: Experiental AI and the AI Lab

• The role of the gallery as gatekeeper in 2020

• The Women in Media Art: Telematic Performance

• Total Refusal: THE HYPERREALISTIC MACHINIMA MACHINE.

• Tour: Project Alias – how to hack your tech

• Towards a “Live Synaesthetic Visualisation”? Considerations in Artistically Visualised Sound

• Tutorial: Der Regenbogen aus dem Küchenlabor

• Tutorial: Earth Observation Browser

• Tutorial: Seedbombs – Flower to the people!

• Tutorial: The Joy of AI Painting

• Update: APeel – cooking new materials with Youyang Song

• Vis. [un]necessary force_3 (Artist Talk)

• What are the key ingredients of a social media strategy in 2020 for the art industry?

• What is the learning of 2020?

• Which Image of Society Made Society so Vulnerable?

• Why is Society so Vulnerable

• Will digitalisation lead to a more transparent market?

• Zu Hause mit… David Jentgens

• Zu Hause mit... Nana Tylo

2019

• 100 Jahre Bauhaus / How to teach digital technologies in an artistic context?

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus / We are not alone: computers in context

• 100 Jahre Bauhaus: We are not alone - Einführung

• Activate & Participate - Diskussion

• AI & The New World Order

• AIxMusic Cultural Organizations

• AIxMusic Cultural Organizations

• AIxMusic Cultural Organizations

• AIxMusic Dialogue II: AI & Bio Art

• AIxMusic Dialogue III: Anatomies of AI

• AIxMusic Dialogue I: Komposition, Interpretation, Reproduction – 3 shades of creativity

• AIxMusic Dialogue IV: AI and Music Research

• AIxMusic Dialogue VI: AI and Gaming

• AIxMusic Dialogue VII: Dear Glenn – Yamaha AI Project

• AIxMusic Dialogue V: Overview of the AI and Music scene in the Bay Area

• AIxMusic Industry Research

• AIxMusic Industry Research

• AIxMusic Industry Research

• AIxMusic Matinée: IRCAM - 1

• AIxMusic Matinée: IRCAM - 2

• AIxMusic Matinée: Music Information & Music Data

• AIxMusic Matinée: Music Information & Music Data

• AIxMusic Matinée: Pioneering the educational field

• AIxMusic Matinée: Pioneering the educational field

• AIxMusic Panel I: Homo Deus

• AIxMusic Panel II: AI, more than a technology

• AIxMusic Panel III: Deep Journalism, Information and Misinformation in the age of Artificial Intelligence

• AIxMusic Panel IV: What is Creativity?

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AI x Musics: Technology for non human death

• Amplifying Human Ingenuity with Intelligent Technology

• Anatomy of an AI System

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Net Art - 1

• Ars Electronica History Summit / Net Art - 2

• Ars Electronica History Summit: Part 1 Pioneers - 1

• Ars Electronica History Summit: Part 1 Pioneers - 2

• Ars Electronica History Summit: Part 2 Media Art around the World

• Ars Electronica History Summit: Part 2 Media Art around the World

• Art and Technology in Silicon Valley – Digital Humanism in European Cultural Diplomacy

• Artistic theory and technical execution: behind the scenes of the short film Miazmat by Platige Image

• Beeple: Everydays

• !brute_force

• Bubbling Foam

• Canon ARTLAB and other curated works

• CIUTAT VELLA’S LAND-USE PLAN

• Confronting Vegetal Otherness – Skotopoiesis, Phytoteratology, Strange Encounters

• Creativity, Art & Education - Diskussion

• Cultural Institutions are the Battleground for the Future

• Data Journalism: Inspiration and Conflict

• Designing Structures within Universities where New Things Can Happen

• Ethics by Design: Respect the Autonomy of Others

• European Platform for Digital Humanism - Welcome Address

• Experiential AI: Entanglements – Fair, Moral and Transparent AI / Ambition

• Experiential AI: Entanglements – Fair, Moral and Transparent AI / Current Practice

• Experiential AI: Entanglements – Fair, Moral and Transparent AI / Einleitung

• Fridays for Future

• Gallery Spaces Panel II: Art & Science for Ecology – Teil 1

• Gallery Spaces Panel II: Art & Science for Ecology – Teil 2

• Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Teil 1

• Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Teil 2

• Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Teil 3

• Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Teil 1

• Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Teil 2

• Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Teil 1

• Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Teil 2

• Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Teil 3

• Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Teil 1

• Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Teil 2

• Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Teil 3

• Gallery Spaces Panel VII: Digital art going mainstream? - Teil 1

• Gallery Spaces Panel VII: Digital art going mainstream? - Teil 2

• Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Teil 1

• Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Teil 2

• Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Teil 3

• History and Prehistory of Japanese media art

• How to apply Game Engines in Creative and Classic Industries

• Humane Technology

• Humanize Waht? Why? Tools, Media or Persons

• Humanizing AI

• Humanizing AI

• Humanizing AI - Diskussion

• Humanizing AI: The still important issue of diversity

• Humans need not apply

• ICC´s Role in Promoting and Exhibiting Japanese Media Art in Japan

• Innovationsforum GET.Inspired – Welcome

• Japanese Media Art in History Summit at Ars Electronica 2019 – Einführung

• knowledge for humanity hub (k4h+)

• Labor

• ManicVR

• Media Art Education in Japan

• More than a feeling: an inquiry on game feel

• Names and Myths of Technologies

• Prix Forum II – Digital Musics & Sound Art / Diskussion

• Prix Forum II - Digital Musics & Sound Art / Einführung

• Prix Forum III – Artificial Intelligence & Life Art / Diskussion

• Prix Forum III – Artificial Intelligence & Life Art / Einführung

• Project Alias

• Quantum Logos

• Role as a Media Art Pioneer and Educator

• SHE BON

• STARTS Prize´19 Honorary Mentions

• Stimuli and Killers of Creativity

• Storytelling through abstraction

• Strings

• Technologies of Engagement - 1

• Technologies of Engagement - 2

• Telecommunications Art / Bill Bartlett im Gespräch

• Telecommunications Art - Einführung

• Telecommunications Art / Robert Adrian X

• Telecommunications Art / Van Gogh TV - Part I

• Telecommunications Art / Van Gogh TV - Part II

• The Hidden Life of an Amazon User

• The master´s tools in times of climate change

• They taste differently

• Time bending media

• TORSO #1

• Trajectories Panel – Diskussion

• Überwachungskapitalismus und Freiheitsideologie. Kritik der theoretischen Grundlagen fehlender Regulierungen

• Undershoot, sensitive data: Cristiano

• Užupis

• VFRAME: Visual Forensics and Metadata Extraction

• Voices from AI in Experimental Improvisation

• Welcome to the Midlife Crisis Panel - Diskussion

• Wombs

• Women Reclaiming AI (2019)

• 100 Jahre Bauhaus / How to teach digital technologies in an artistic context?

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus: We are not alone

• 100 Jahre Bauhaus / We are not alone: computers in context

• 100 Jahre Bauhaus: We are not alone - Introduction

• Activate & Participate - Discussion

• AI & The New World Order

• AIxMusic Cultural Organizations

• AIxMusic Cultural Organizations

• AIxMusic Cultural Organizations

• AIxMusic Dialogue II: AI & Bio Art

• AIxMusic Dialogue III: Anatomies of AI

• AIxMusic Dialogue I: Komposition, Interpretation, Reproduction – 3 shades of creativity

• AIxMusic Dialogue IV: AI and Music Research

• AIxMusic Dialogue VI: AI and Gaming

• AIxMusic Dialogue VII: Dear Glenn – Yamaha AI Project

• AIxMusic Dialogue V: Overview of the AI and Music scene in the Bay Area

• AIxMusic Industry Research

• AIxMusic Industry Research

• AIxMusic Industry Research

• AIxMusic Matinée: IRCAM - 1

• AIxMusic Matinée: IRCAM - 2

• AIxMusic Matinée: Music Information & Music Data

• AIxMusic Matinée: Music Information & Music Data

• AIxMusic Matinée: Pioneering the educational field

• AIxMusic Matinée: Pioneering the educational field

• AIxMusic Panel I: Homo Deus

• AIxMusic Panel II: AI, more than a technology

• AIxMusic Panel III: Deep Journalism, Information and Misinformation in the age of Artificial Intelligence

• AIxMusic Panel IV: What is Creativity?

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AIxMusic Start-Ups and Applications

• AI x Musics: Technology for non human death

• Amplifying Human Ingenuity with Intelligent Technology

• Anatomy of an AI System

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Interaktive Art & Bio Art

• Ars Electronica History Summit / Net Art - 1

• Ars Electronica History Summit / Net Art - 2

• Ars Electronica History Summit: Part 1 Pioneers - 1

• Ars Electronica History Summit: Part 1 Pioneers - 2

• Ars Electronica History Summit: Part 2 Media Art around the World

• Ars Electronica History Summit: Part 2 Media Art around the World

• Art and Technology in Silicon Valley – Digital Humanism in European Cultural Diplomacy

• Artistic theory and technical execution: behind the scenes of the short film Miazmat by Platige Image

• Beeple: Everydays

• !brute_force

• Bubbling Foam

• Canon ARTLAB and other curated works

• CIUTAT VELLA’S LAND-USE PLAN

• Confronting Vegetal Otherness – Skotopoiesis, Phytoteratology, Strange Encounters

• Creativity, Art & Education - Discussion

• Cultural Institutions are the Battleground for the Future

• Data Journalism: Inspiration and Conflict

• Designing Structures within Universities where New Things Can Happen

• Ethics by Design: Respect the Autonomy of Others

• European Platform for Digital Humanism - Welcome Address

• Experiential AI: Entanglements – Fair, Moral and Transparent AI / Ambition

• Experiential AI: Entanglements – Fair, Moral and Transparent AI / Current Practice

• Experiential AI: Entanglements – Fair, Moral and Transparent AI / Introduction

• Fridays for Future

• Gallery Spaces Panel II: Art & Science for Ecology – Part 1

• Gallery Spaces Panel II: Art & Science for Ecology – Part 2

• Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Part 1

• Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Part 2

• Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Part 3

• Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Part 1

• Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Part 2

• Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Part 1

• Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Part 2

• Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Part 3

• Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Part 1

• Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Part 2

• Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Part 3

• Gallery Spaces Panel VII: Digital art going mainstream? - Part 1

• Gallery Spaces Panel VII: Digital art going mainstream? - Part 2

• Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Part 1

• Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Part 2

• Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Part 3

• History and Prehistory of Japanese media art

• How to apply Game Engines in Creative and Classic Industries

• Humane Technology

• Humanize Waht? Why? Tools, Media or Persons

• Humanizing AI

• Humanizing AI

• Humanizing AI - Discussion

• Humanizing AI: The still important issue of diversity

• Humans need not apply

• ICC´s Role in Promoting and Exhibiting Japanese Media Art in Japan

• Innovationsforum GET.Inspired – Begrüßung und Eröffnung

• Japanese Media Art in History Summit at Ars Electronica 2019 – Introduction

• knowledge for humanity hub (k4h+)

• Labor

• ManicVR

• Media Art Education in Japan

• More than a feeling: an inquiry on game feel

• Names and Myths of Technologies

• Prix Forum II – Digital Musics & Sound Art / Discussion

• Prix Forum II - Digital Musics & Sound Art / Introduction

• Prix Forum III – Artificial Intelligence & Life Art / Discussion

• Prix Forum III – Artificial Intelligence & Life Art / Introduction

• Project Alias

• Quantum Logos

• Role as a Media Art Pioneer and Educator

• SHE BON

• STARTS Prize´19 Honorary Mentions

• Stimuli and Killers of Creativity

• Storytelling through abstraction

• Strings

• surveillance capitalism and freedom ideology. Criticism of the theoretical basis of missing regulations

• Technologies of Engagement - 1

• Technologies of Engagement - 2

• Telecommunications Art / Bill Bartlett in conversation

• Telecommunications Art - Introduction

• Telecommunications Art / Robert Adrian X

• Telecommunications Art / Van Gogh TV - Part I

• Telecommunications Art / Van Gogh TV - Part II

• The Hidden Life of an Amazon User

• The master´s tools in times of climate change

• They taste differently

• Time bending media

• TORSO #1

• Trajectories Panel – Discussion

• Undershoot, sensitive data: Cristiano

• Užupis

• VFRAME: Visual Forensics and Metadata Extraction

• Voices from AI in Experimental Improvisation

• Welcome to the Midlife Crisis Panel - discussion

• Wombs

• Women Reclaiming AI (2019)

2018

• Algorithmethics

• Alter

• Alternate Reality Game STAHLSTADT

• Amsterdams’ 3D Printed Steel Bridge

• Anti-Racism Movement (ARM)

• A Portal to the Digital

• Artificial Intelligence Doesn’t Do As Much As You Think: Errors in Concepts of AI

• Art Talks - Media Art Market Symposium

• Art Talks - Media Art Market Symposium

• Art Talks: Media Art Market Symposium

• Art Talks: Media Art Market Symposium

• Art Talks: Media Art Market Symposium

• Avoidable Delay. Measuring Error in Practices

• Bellingcat

• Beyond Patronage: Artists and Experimental Monetization 1

• Beyond Patronage: Artists and Experimental Monetization 2

• Birthday Statement to Leonardo

• Birthday Statement to Leonardo

• Birthday Statement to Leonardo

• BitSoil Popup Tax & Hack Campaign

• Challenges and Opportunities of Virtual Filmmaking

• Composing the music of the future with Artificial Intelligence

• Cooperative Aesthetics

• Creative AI Landscape – a critical review of current expectations

• Danke! Wie Österreich meine Heimat wurde.

• Data to the People – The Path Away from Digital Feudalism

• Deep Fake or Rendering the Truth

• Deep Fake or Rendering the Truth

• Deep Fake or Rendering the Truth

• Deep Fake or Rendering the Truth

• Designing New Mythologies

• Digital Presentation Strategies and Collections 1

• Digital Presentation Strategies and Collections 2

• Einführung Academy of ERROR

• Einführung - Deep Fake or Rendering the Truth

• Einführung - Get Inspired Symposium

• Einführung Prix Forum III - Digital Communities

• Einfühurng Visionary Pioneers of Media Art - LEONARDO

• error, culture & uncertainty

• ERROR in research. Science and the future perfect tense?

• Errorista

• Error, Norm, Dogma & Radical Atoms

• Error of Errors

• Everyone is Wrong on the Internet – Saving democratic debate from social media

• From Ocean to Outer Space: Re-evolution as the Interface in Generative Animation

• Future Flora

• g0v.tw

• Get Inspired Presentations 1

• Get Inspired Presentations 2

• Get Inspired Presentations 3

• Get Inspired Presentations 4

• [help me know the truth]

• Human Errors: Evolutionary Glitches in the Human Body

• Innovation

• Inspired by our families, built with our hearts. The emotional design of Old Man’s Journey.

• Introduction Prix Forums & Art Talks

• La Chute / The Fall

• Laudatio für Leonardo / ISAST

• Leonardo / ISAST

• LINZ-V.R.-(T)RAUM

• Nach dem zweiten negativen Bescheid...

• On Paracinema and the Dematerialisation of Animation

• Preservation of Media Art

• Preservation of Media Art

• Preservation of Media Art

• Preservation of Media Art

• Seriously Fun: Opportunities and Considerations for Artists Contributing to Medical and Serious Gaming Virtual Reality

• Shimmering Perceptrons

• SLEEP48

• Social Furniture

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• STARTS Prize 2018 Selection

• Strategy for responsible Innovation

• Support Group Network – Working together for a better future

• The Art of Imperfection Conference I - Begrüßung und Eröffnung

• The Camp as Labo(u)ratory

• The Fractured Mirror: Reflecting on Artificial Intelligence

• The Fragile - Einführung durch die Moderatorin

• Think Different – Or what I have learned in San Francisco

• Through the Membrane

• Tropics

• Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 1

• Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 2

• Unser Leben in Afghanistan und in Österreich

• Virtual Surrealities and the Liminal

• Visualising the Invisible - Aesthetics of the Near Future

• Welcome and Integration of Refugees in Europe (WIR)

• Welcome to Get Inspired

• Welcome to Get Inspired

• When are we? Adventures in the Machine Readable Self

• Zukunft der Integrationspolitik in Österreich

• ZusammenHelfen Konferenz - Abschluss und Ausblick

• ZusammenHelfen Konferenz - Eröffnungsworte

• ZusammenHelfen Konferenz - Eröffnungsworte

• Algorithmethics

• Alter

• Alternate Reality Game STAHLSTADT

• Amsterdams’ 3D Printed Steel Bridge

• Anti-Racism Movement (ARM)

• A Portal to the Digital

• Artificial Intelligence Doesn’t Do As Much As You Think: Errors in Concepts of AI

• Art Talks - Media Art Market Symposium

• Art Talks - Media Art Market Symposium

• Art Talks: Media Art Market Symposium

• Art Talks: Media Art Market Symposium

• Art Talks: Media Art Market Symposium

• Avoidable Delay. Measuring Error in Practices

• Bellingcat

• Beyond Patronage: Artists and Experimental Monetization 1

• Beyond Patronage: Artists and Experimental Monetization 2

• Birthday Statement to Leonardo

• Birthday Statement to Leonardo

• Birthday Statement to Leonardo

• BitSoil Popup Tax & Hack Campaign

• Challenges and Opportunities of Virtual Filmmaking

• Composing the music of the future with Artificial Intelligence

• Cooperative Aesthetics

• Creative AI Landscape – a critical review of current expectations

• Danke! Wie Österreich meine Heimat wurde.

• Data to the People – The Path Away from Digital Feudalism

• Deep Fake or Rendering the Truth

• Deep Fake or Rendering the Truth

• Deep Fake or Rendering the Truth

• Deep Fake or Rendering the Truth

• Designing New Mythologies

• Digital Presentation Strategies and Collections 1

• Digital Presentation Strategies and Collections 2

• Einführung Prix Forums & Art Talks

• error, culture & uncertainty

• ERROR in research. Science and the future perfect tense?

• Errorista

• Error, Norm, Dogma & Radical Atoms

• Error of Errors

• Everyone is Wrong on the Internet – Saving democratic debate from social media

• From Ocean to Outer Space: Re-evolution as the Interface in Generative Animation

• Future Flora

• g0v.tw

• Get Inspired Presentations 1

• Get Inspired Presentations 2

• Get Inspired Presentations 3

• Get Inspired Presentations 4

• [help me know the truth]

• Human Errors: Evolutionary Glitches in the Human Body

• Innovation

• Inspired by our families, built with our hearts. The emotional design of Old Man’s Journey.

• Introduction Academy of ERROR

• Introduction - Deep Fake or Rendering the Truth

• Introduction - Get Inspired Symposium

• Introduction to Prix Forum III - Digital Communities

• Introduction to Visionary Pioneers of Media Art - LEONARDO

• La Chute / The Fall

• Laudatory speech for Leonardo / ISAST

• Leonardo / ISAST

• LINZ-V.R.-(T)RAUM

• On Paracinema and the Dematerialisation of Animation

• Our life in Afghanistan and in Austria

• Preservation of Media Art

• Preservation of Media Art

• Preservation of Media Art

• Preservation of Media Art

• Seriously Fun: Opportunities and Considerations for Artists Contributing to Medical and Serious Gaming Virtual Reality

• Shimmering Perceptrons

• SLEEP48

• Social Furniture

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• Space Art – Trial and Error in Art & Science

• STARTS Prize 2018 Selection

• Strategy for responsible Innovation

• Support Group Network – Working together for a better future

• The Art of Imperfection Conference I - Welcome Address

• The Camp as Labo(u)ratory

• The Fractured Mirror: Reflecting on Artificial Intelligence

• The Fragile - Moderators Introduction

• The future of integration politics in Austria

• Think Different – Or what I have learned in San Francisco

• Through the Membrane

• Tropics

• Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 1

• Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 2

• Virtual Surrealities and the Liminal

• Visualising the Invisible - Aesthetics of the Near Future

• Welcome and Integration of Refugees in Europe (WIR)

• Welcome to Get Inspired

• Welcome to Get Inspired

• What happens after the second rejection of an asylum application…

• When are we? Adventures in the Machine Readable Self

• ZusammenHelfen Conference - Closing and future perspectives

• ZusammenHelfen Conference - Welcome

• ZusammenHelfen Konferenz - Welcome

2017

• About the Existing / Not Existing Market of Media Art - Teil 1

• About the Existing / Not Existing Market of Media Art - Teil 2

• AI&BI: Can Deep Mind Meet Deep Body?

• AI: Past, Presence, Future

• Aktuelles - Integration

• Aktuelles - Lehre und Berufsschule für geflüchtete Menschen

• Anita Beckers Gallery

• Archiving works and exhibitions in media art in case of ICC

• Art and High Dimensional Life

• ART+COM

• Artificial Intelligence and Image Culture

• Art & Science Residency @ ESA 2016/2017 – Aoife van Linden Tol

• Art & Science Residency @ ESA 2016/2017 – Sarah Petkus und Ergebnisse einer Evaluation der Residency am ESTEC

• Art & Science Residency @ Fraunhofer MEVIS 2017 – Yen Tzu Chang

• A Study into 21st Century Drone Acoustics

• Autodesk Education Experiences: Future of Making with Swarms

• Autonomous Mobility

• Blockchain

• Broken Visions in Stereo

• Can Machines Create Art?

• Chancen und Herausforderungen der Fluchtzuwanderung für Europa

• Compassionate Conversational Systems

• Corpus Nil

• Culture and Politics in the Age of AI

• Dancing with the Datasets

• Deep Learning

• Deep Learning for Distributed and Swarm Intelligence

• Die Kattunfabrik – das CutureLab

• Digital Games as Hybrid, Artistic Material

• Diskussion STARTS Prize Forum 2017

• Do Androids Dream of Electric Sheep?

• Drones and the Future of Swarm Logistics

• Einführung Spaxels Research Initiative

• Emerging Voices: Building Coalitions between Intersectional Feminism and Eco-Feminism towards a Preferable Future

• ESA–European Space Agency

• Everything

• Examples of Art and Technology Synthesis: Selected Interactive Art Works

• Faces—“From C to X: networked feminisms” – Diskussion

• Faces—“From C to X: networked feminisms” - Talks

• Feminism and the sciences / Environmentalism

• From Encounter to Collaboration – A Quantum Shift in Art & Science?

• Gamelan Wizard

• Hearing the Lion’s Song

• HelferInnenkonferenz 2017 - Abschluss und Ausblick

• HelferInnenkonferenz 2017 - Begrüßung & Eröffnung

• How Not To Win An Oscar

• Ikono TV

• I'm Humanity

• Informationen zu Bildungschancen, Lehre und Berufsschule für geflüchtete Menschen

• Integration geflüchteter Menschen – Anforderungen, Chancen, Ambivalenzen

• Intelligent Machines That Learn: What Do They Know? Do They Know Things?? Let´s Find Out!

• Interactive Animation and Ugly Aesthetics

• Internet of Things

• Ji-Ji-Mu-Ge / End to End Transformation of Everything

• K-9_topology

• Life –Likeness. Designing Behaviors of Intelligent Machines

• Light Barrier

• Machine Learning as Creative, Collaborative Design Tool

• Man 2.0: AI in the Anthropocene

• New Media Art – Collection management, distribution and display tools

• New Technologies for Preserving, Collecting and Storing Media Art

• Not Your World Music: Noise In South East Asia

• Out of Exile

• Playing Hard Makes Work Easy

• Practices and Initiatives – Diskussion

• Practices and Initiatives - Talks

• Proposing Futures

• Rock Print

• Schwarmintelligenz: Was Autos and Bienen gemeinsam haben

• Sci Art: Vision to Practice. Artist-Astronaut Candidate

• S[edition]. An experimental marketplace for digital art - imagining the future of the art market

• Spirituality and AI

• Swarm as a Communication Medium

• Syrien, Irak, Afghanistan: Hintergründe und Erfahrungen von Flucht und Krieg

• Tangible Bits

• The Algorithmic Society – Legal and Ethical Questions of AI, Robotics, and Autonomous Systems

• The America Project

• The Conversation of Artists and Scientists – Why do they need Curators?

• The Design Practice of Art and Science

• There is no AI Ethics: Five Reasons Not to Other AI

• uugot.it – Understanding TV everywhere!

• Visualizing Sound–Listening to Images

• Visual Thinking

• Wie Interkulturalität zur Integration von MigrantInnen beiträgt – Am Beispiel des Zentrums der ‚Fondation Orient-Occident‘ in Marokko

• WOHNEN MIT ASYL – Wartberger Sozialfonds für Wohnungssuchende Flüchtlinge

• About the Existing / Not Existing Market of Media Art - part 1

• About the Existing / Not Existing Market of Media Art - part 2

• AI&BI: Can Deep Mind Meet Deep Body?

• AI: Past, Presence, Future

• Anita Beckers Gallery

• Archiving works and exhibitions in media art in case of ICC

• Art and High Dimensional Life

• ART+COM

• Artificial Intelligence and Image Culture

• Art & Science Residency @ ESA 2016/2017 – Aoife van Linden Tol

• Art & Science Residency @ ESA 2016/2017 – Sarah Petkus and results of the Residency Evaluation at ESTEC

• Art & Science Residency @ Fraunhofer MEVIS 2017 – Yen Tzu Chang

• A Study into 21st Century Drone Acoustics

• Autodesk Education Experiences: Future of Making with Swarms

• Autonomous Mobility

• Blockchain

• Broken Visions in Stereo

• Can Machines Create Art?

• Challenges and opportunities of immigration caused by the flow of refugees

• Compassionate Conversational Systems

• Corpus Nil

• Culture and Politics in the Age of AI

• Current issues - Apprenticeship and vocational school for refugees

• Current issues - Integration

• Dancing with the Datasets

• Deep Learning

• Deep Learning for Distributed and Swarm Intelligence

• Digital Games as Hybrid, Artistic Material

• Discussion STARTS Prize Forum 2017

• Do Androids Dream of Electric Sheep?

• Drones and the Future of Swarm Logistics

• Emerging Voices: Building Coalitions between Intersectional Feminism and Eco-Feminism towards a Preferable Future

• ESA–European Space Agency

• Everything

• Examples of Art and Technology Synthesis: Selected Interactive Art Works

• Faces—“From C to X: networked feminisms” – Discussion

• Faces—“From C to X: networked feminisms” - Talks

• Feminism and the sciences / Environmentalism

• From Encounter to Collaboration – A Quantum Shift in Art & Science?

• Gamelan Wizard

• Hearing the Lion’s Song

• HelferInnenkonferenz 2017 - Closing and future perspectives

• HelferInnenkonferenz 2017 - Welcome & Opening

• How interculturality contributes to the integration of Migrants. – The Example of the center of the „Fondation Orient-Occident“ in Morocco

• How Not To Win An Oscar

• Ikono TV

• I'm Humanity

• Information about educational oppurtunities, apprenticeship and vocational school for refugees

• Integration of refugees – requirements, opportunities and discrepancies

• Intelligent Machines That Learn: What Do They Know? Do They Know Things?? Let´s Find Out!

• Interactive Animation and Ugly Aesthetics

• Internet of Things

• Introduction Spaxels Research Initiative

• Ji-Ji-Mu-Ge / End to End Transformation of Everything

• K-9_topology

• Life –Likeness. Designing Behaviors of Intelligent Machines

• Light Barrier

• Machine Learning as Creative, Collaborative Design Tool

• Man 2.0: AI in the Anthropocene

• New Media Art – Collection management, distribution and display tools

• New Technologies for Preserving, Collecting and Storing Media Art

• Not Your World Music: Noise In South East Asia

• Out of Exile

• Playing Hard Makes Work Easy

• Practices and Initiatives – Discussion

• Practices and Initiatives - Talks

• Proposing Futures

• Rock Print

• Sci Art: Vision to Practice. Artist-Astronaut Candidate

• S[edition]. An experimental marketplace for digital art - imagining the future of the art market

• Spirituality and AI

• Swarm as a Communication Medium

• Swarm intelligence: What cars and bees do have in common

• Syria, Iraq, Afghanistan: backgrounds and experiences of refugees and war

• Tangible Bits

• The Algorithmic Society – Legal and Ethical Questions of AI, Robotics, and Autonomous Systems

• The America Project

• The Conversation of Artists and Scientists – Why do they need Curators?

• The Design Practice of Art and Science

• The Kattunfabrik – the CutureLab

• There is no AI Ethics: Five Reasons Not to Other AI

• uugot.it – Understanding TV everywhere!

• Visualizing Sound–Listening to Images

• Visual Thinking

• WOHNEN MIT ASYL – Social fund for apartment-hunting refugees.

2016

• Alchemical Theory & Praxis as a Specific Form of Matériology in an Attempt to Discover Alchemist Principles as Archaic Energies in the Process of Changing the World

• Animals vs Machines - When Creativity Goes Uncontrollable

• Animation and Artistic Diversity

• Art. Audience. Life.

• Atoms: A collective order, entropy and self Organisation

• Berlin State Festival: Festival curation; creating an open meeting ground for science and the public

• BioLogic

• BNL Media Art Festival: Innovating Media Art through education

• Cairotronica: Bridging of Audiences and Professionals through Art

• Can you hear me?

• Chowberry

• Contemporary Artistic Perspectives on the Quest for the Gold of our Time and on the Impact of its “Elementary Hallucination(s)”

• Cybernetic Serendipity - eine kurze tour durch die Ausstellung

• Das erste Restaurant von Geflüchteten für ÖsterreicherInnen

• Das Refugee Phrasebook

• DISCUSSING THE FUTURE OF THE LABS

• Enabling Technologies

• ESA Residency Winner 2016

• ESO Residency Winner 2016 - Quadrature

• Europa: Flüchtlingskrise oder Solidaritätskrise?

• European Southern Observatory

• European Space Agency

• Fablab Egypt: The Rise of the Maker Community in Egypt

• Faktoren politischer Sozialisation aus der Sicht zweier Jugendlicher

• Flüchtling ist kein Beruf – Wie Integration in Ausbildung und Beruf gelingen kann.

• Form Giving

• Future Innovators Summit: Finale Präsentation - Gruppe A

• Future Innovators Summit: Finale Präsentation - Gruppe B

• Future Innovators Summit: Finale Präsentation - Gruppe C

• Future Innovators Summit: Finale Präsentation - Gruppe D

• Future Innovators Summit: Finale Präsentation - Gruppe E

• Future Innovators Summit: Final Presentation - Introduction

• Future Possibilities of Astrobiological Horticulture

• Good Practice: Rosenbauer

• Google ATAP: Making the Entire World Interactive: Innovation and Creativity on a Very Large Scale.

• Hass auf HelferInnen – Wieso gerade im Web so viel Wut sichtbar ist und was wir gegen Hasskommentare tun können.

• Hyundai Motor Group VH Award. Why technology matters in 21st century.

• In den Dschungel von Calais

• inFORM und Beyond

• InstaHealth

• Kinetic

• LineFORM und Meta-Materiality

• Museo de la Universidad Nacional de Tres de Febrero: Laboratory–Museum Space: an effective interaction place for Artists and Scientists

• No Frame

• Nosaj Thing / Cold Stares ft. Chance The Rapper + The O'My's

• OpenSurgery

• P2P Foundation

• Partizipation und politische Sozialisation im Zeitalter neuer Medien

• Peripheria

• Planting Seeds of Surreality

• Prix Forum II Digital Communities / Q&A Runde

• Prix Forum III Interactive Art+/ Q&A Round

• Prix Forum IV - Visionary Pioneers of Media Art/ Q&A Runde

• Programmable materials and digital fabrication

• QUT Precincts: Transforming the Laboratory to Achieve Deep Learning and Engagement

• Raqqa is Being Slaughtered Silently. Die Arbeit der Blogger – IS von innen – der Widerstand – Zukunft Syriens.

• Refugee Phrasebook part I

• Refugee Phrasebook part II

• Rhizome

• ROBOTS and human history

• Sazae Bot

• Sharehaus Refugio. Leben und Arbeiten mit Geflüchteten

• Silent Signal-Exploring Visionary Science through Experimental Animation

• Stromatolite / Music Tech Fest: The Transdisciplinary Laboratory

• TADAEX: Collaborations between artistic & scientific streams[CL1] in Tehran

• Tagung Partizipation und Politische Sozialisation im Zeitalter neuer Medien: Podiumsdiskussion

• The Other Face of Character Animation

• Under the Centipede Sun

• Visualisation and Simulation in Art & Science

• Wizards of Data: Embodied Cognition and Animated Visualizations

• Alchemical Theory & Praxis as a Specific Form of Matériology in an Attempt to Discover Alchemist Principles as Archaic Energies in the Process of Changing the World

• Animals vs Machines - When Creativity Goes Uncontrollable

• Art. Audience. Life.

• Atoms: A collective order, entropy and self Organisation

• Being a refugee is not a job – How integration in education and working life can succeed.

• Berlin State Festival: Festival curation; creating an open meeting ground for science and the public

• BioLogic

• BNL Media Art Festival: Innovating Media Art through education

• Cairotronica: Bridging of Audiences and Professionals through Art

• Can you hear me?

• Chowberry

• Contemporary Artistic Perspectives on the Quest for the Gold of our Time and on the Impact of its “Elementary Hallucination(s)”

• Convention Participation and Political Socialization in the Age of New Media: Panel Discussion

• Cybernetic Serendipity - a quick tour of the exhibition

• DISCUSSING THE FUTURE OF THE LABS

• Enabling Technologies

• ESA Residency Winner 2016

• ESO Residency Winner 2016 - Quadrature

• European Southern Observatory

• European Space Agency

• Europe: Refugee crisis or solidarity crisis?

• Expanded Animation - The Alchemy of Animation / Animation and Artistic Diversity

• Fablab Egypt: The Rise of the Maker Community in Egypt

• Form Giving

• Future Innovators Summit, Final Presentation - Group A

• Future Innovators Summit: Final Presentation - Group B

• Future Innovators Summit: Final Presentation - Group C

• Future Innovators Summit: Final Presentation - Group D

• Future Innovators Summit: Final Presentation - Group E

• Future Innovators Summit: Final Presentation - Introduction

• Future Possibilities of Astrobiological Horticulture

• Good Practice: Rosenbauer

• Google ATAP: Making the Entire World Interactive: Innovation and Creativity on a Very Large Scale.

• Hatred of Helpers – Why is there so much anger especially on the internet and what can we do about hateful comments?

• Hyundai Motor Group VH Award. Why technology matters in 21st century.

• inFORM und Beyond

• InstaHealth

• In the Jungle of Calais

• Kinetic

• LineFORM and Meta-Materiality

• Museo de la Universidad Nacional de Tres de Febrero: Laboratory–Museum Space: an effective interaction place for Artists and Scientists

• No Frame

• Nosaj Thing / Cold Stares ft. Chance The Rapper + The O'My's

• OpenSurgery

• P2P Foundation

• Participation and Political Socialization in the Age of New Media

• Participation and Political Socialization in the Age of New Media

• Peripheria

• Planting Seeds of Surreality

• Prix Forum II Digital Communities / Q&A Round

• Prix Forum III Interactive Art+/ Q&A Round

• Prix Forum IV - Visionary Pioneers of Media Art/ Q&A Round

• Programmable materials and digital fabrication

• QUT Precincts: Transforming the Laboratory to Achieve Deep Learning and Engagement

• Raqqa is Being Slaughtered Silently. The work of the bloggers – IS from the inside – the resistance – Syria´s future

• Refugee Phrasebook part I

• Refugee Phrasebook part II

• Rhizome

• ROBOTS and human history

• Sazae Bot

• Sharehouse Refugio – Living and working with refugees

• Silent Signal-Exploring Visionary Science through Experimental Animation

• Stromatolite / Music Tech Fest: The Transdisciplinary Laboratory

• TADAEX: Collaborations between artistic & scientific streams[CL1] in Tehran

• The first restaurant from refugees for Austrians

• The Other Face of Character Animation

• The Refugee Phrasebook

• Under the Centipede Sun

• Visualisation and Simulation in Art & Science

• Wizards of Data: Embodied Cognition and Animated Visualizations

2015

• Abschlusspräsentation: Connected Intelligence Atelier - Group D

• Abschlusspräsentation: Connected Intelligence Atelier - Gruppe E

• Abschlusspräsentation: Connected Intelligence Atelier - Gruppe F

• Abschlusspräsentation: Future Innovators Summit - Gruppe A

• Abschlusspräsentation: Future Innovators Summit - Gruppe B

• Abschlusspräsentation: Future Innovators Summit - Gruppe C

• Adjusting the Promise of Stereoscopy

• A little less pictures, a little more space: expanded animation and the poetics of scale

• Animation to illustrate life

• Ars@CERN

• Art and Biomedia: Aliveness, fruitful misunderstanding and the epistemological turn

• ARTSAT1:Invader

• Art & Science – relationships

• Art & Science Residency Award @ ESO

• Art & Science - what is it good for?

• a word fit for grandchildren

• Bär

• Building future resilience with social capital

• Chijikinkutsu

• Co-Creation as a way to hack the status quo

• Collide@CERN Preisträger Ryoji Ikeda

• Connected Intelligence and Post City

• Connecting Cities Conference – Panel Discussion

• Connecting Cities Conference - Welcome Address

• Connecting Ideas 1 – Connected Intelligence Atelier, Group D

• Connecting Ideas 1 - Future Innovators Summit, Group A

• Connecting Ideas 1 - Future Innovators Summit, Group B

• Connecting Ideas 2 – Connected Intelligence Atelier, Group E

• Connecting Ideas 2 – Connected Intelligence Atelier, Group F

• Connecting Ideas 2 – Future Innovators Summit, Group C

• criticism of the Smart City concept, participation and socalled civic technologies

• Digital Communities

• Drumming is an Elastic Concept

• Einführung Prix Forum I – Computer Animation / Film / VFX

• Einleitung - Prix Forum II – Visionary Pioneers of Media Art

• European Digital Art and Science Network - Center for the promotion of science

• European Digital Art and Science Network - DIG Gallery

• European Digital Art and Science Network - GV Art

• European Digital Art and Science Network - Kapelica Gallery

• European Digital Art and Science Network - Laboral

• European Digital Art and Science Network - Science Gallery

• European Digital Art and Science Network - Zaragoza City of Knowledge Foundation

• Future Robotics Technology Center

• Future Robotics Technology Center

• Futures Studies & Ideation

• India´s Urban Awakening

• Jeffrey Shaw

• Knowledge Capital

• Manila Improstructure

• Matters Of Gravity

• Mobile Matter. Future Mobility & Radical Atoms

• Nepal Project

• Now You Touch It, Now You Don´t: Experiments in Virtual Interfaces

• own projects in Art & Science

• Plantas Autofotosintéticas

• Questions – Prix Forum I – Computer Animation/ Film/ VFX

• Refugee Camps

• Research Collaboration between Mercedes Benz and Ars Electronica Futurelab

• Self made city

• Semiconductor (UK)

• Social Business

• Sound ecology

• Soya C(o)u(l)ture

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop - Einführung Robert Madelin

• Technology, Politics and Nature

• Temps Mort/ Idle Times

• The European Southern Observatory

• The Journey

• They solved art

• Under Way

• urban analysis and visualization

• Urban data

• Urban Design Laboratory

• Urbanisation as Disaster

• urban planning – how smart can we be?

• Visionary Pioneers of Media Art

• What competences are people going to need to live in Smart Cities

• XXLab

• Adjusting the Promise of Stereoscopy

• A little less pictures, a little more space: expanded animation and the poetics of scale

• Animation to illustrate life

• Ars@CERN

• Art and Biomedia: Aliveness, fruitful misunderstanding and the epistemological turn

• ARTSAT1:Invader

• Art & Science – relationships

• Art & Science Residency Award @ ESO

• Art & Science - what is it good for?

• a word fit for grandchildren

• Bär

• Building future resilience with social capital

• Chijikinkutsu

• Co-Creation as a way to hack the status quo

• Collide@CERN prizewinner Ryoji Ikeda

• Connected Intelligence and Post City

• Connecting Cities Conference – Panel Discussion

• Connecting Cities Conference - Welcome Address

• Connecting Ideas 1 – Connected Intelligence Atelier, Group D

• Connecting Ideas 1 - Future Innovators Summit, Group A

• Connecting Ideas 1 - Future Innovators Summit, Group B

• Connecting Ideas 2 – Connected Intelligence Atelier, Group E

• Connecting Ideas 2 – Connected Intelligence Atelier, Group F

• Connecting Ideas 2 – Future Innovators Summit, Group C

• criticism of the Smart City concept, participation and socalled civic technologies

• Digital Communities

• Drumming is an Elastic Concept

• European Digital Art and Science Network - Center for the promotion of science

• European Digital Art and Science Network- DIG Gallery

• European Digital Art and Science Network - GV Art

• European Digital Art and Science Network - Kapelica Gallery

• European Digital Art and Science Network - Laboral

• European Digital Art and Science Network - Science Gallery

• European Digital Art and Science Network - Zaragoza City of Knowledge Foundation

• Final Presentation: Connected Intelligence Atelier - Group E

• Final Presentation: Connected Intelligence Atelier - Group F

• Final Presentation: Connected Intelligence Atelier - Gruppe D

• Final Presentation: Future Innovators Summit - Group A

• Final Presentation: Future Innovators Summit - Group B

• Final Presentation: Future Innovators Summit - Group C

• Future Robotics Technology Center

• Future Robotics Technology Center

• Futures Studies & Ideation

• India´s Urban Awakening

• Introduction Prix Forum I – Computer Animation / Film / VFX

• Introduction - Prix Forum II – Visionary Pioneers of Media Art

• Jeffrey Shaw

• Knowledge Capital

• Manila Improstructure

• Matters Of Gravity

• Mobile Matter. Future Mobility & Radical Atoms

• Nepal Project

• Now You Touch It, Now You Don´t: Experiments in Virtual Interfaces

• own projects in Art & Science

• Plantas Autofotosintéticas

• Questions – Prix Forum I – Computer Animation/ Film/ VFX

• Refugee Camps

• Research Collaboration between Mercedes Benz and Ars Electronica Futurelab

• Self made city

• Semiconductor (UK)

• Social Business

• Sound ecology

• Soya C(o)u(l)ture

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop

• STARTS Workshop - Introduction Robert Madelin

• Technology, Politics and Nature

• Temps Mort/ Idle Times

• The European Southern Observatory

• The Journey

• They solved art

• Under Way

• urban analysis and visualization

• Urban data

• Urban Design Laboratory

• Urbanisation as Disaster

• urban planning – how smart can we be?

• Visionary Pioneers of Media Art

• What competences are people going to need to live in Smart Cities

• XXLab

2014

• A Rapid Look At Kodak Electronics Innovation

• Argan Oil - Raising the standard of rural living in Marocco

• Connecting Cities Projects 2014

• Creative Collisions

• Future Innovators Summit

• Prix Forum III - Visionary Pioneers of Media Art

• Real Imaginary Objects

• Storytelling for a change

• The Barefoot College

• Visionary Pioneers of Media Art

• A Rapid Look At Kodak Electronics Innovation

• Argan Oil - Raising the standard of rural living in Marocco

• Connecting Cities Projects 2014

• Creative Collisions

• Future Innovators Summit

• Prix Forum III - Visionary Pioneers of Media Art

• Real Imaginary Objects

• Storytelling for a change

• The Barefoot College

• Visionary Pioneers of Media Art

2013

• Acoustic Time Travel

• Arte Astronomia

• Die vergessene Geschichte des Recalls: Emanuel Goldberg und andere Pioniere

• DNA als Speichermedium

• Formen des Vergessens

• Leben mit der Diagnose Lewy-Body-Demenz

• Music and Media Art

• The Cube

• Wissensorganisation Jenseits von Gutenberg: Paul Otlet

• Acoustic Time Travel

• Arte Astronomia

• DNA as data storage medium

• Forms of Forgetting

• Living with the diagnosis Lewy-Body-Demenz

• Music and Media Art

• Organisation of knowledge beyond Gutenberg: Paul Otlet

• The Cube

• The Forgotten History of Recall: Emanuel Goldberg and other Pioneers

2012

• Bio Art

• Biotricity - A Vast Energy From Waste-Water

• Collide@CERN Preisträger Julius von Bismarck

• Gedanken und Projekte zur neuen Biotechnolgie

• Hack the City

• My Breath My Music

• OHMI - True Musical Instruments & Disability

• Wie entstehen Weltbilder?

• Bio Art

• Biotricity - A Vast Energy From Waste-Water

• Collide@CERN prizewinner Julius von Bismarck

• Hack the City

• How Do World Pictures Take Shape?

• My Breath My Music

• OHMI - True Musical Instruments & Disability

• Projects and thoughts concerning the new biotechnolgy

2011

• Bürgermobilisierung: Das Internet und dezentralisierte Kommunikation für sozialen Wandel

• Choke Point Project

• Das neue Abenteuer der Sprache

• Die Tunesische Revolution - Eine Internet Revolution?

• Die Welt der Quanten - Von fundamentalen Fragen zu einer neuen Technologie

• Energy Field

• Generation FAB

• Hybrid Art 2011

• International Physics Masterclasses

• Managing Science and Innovation

• May the Horse Live in me

• Musical Interfaces

• ORIGIN - wie alles begann

• Pigeon d'Or

• Public Square Squared - How Social Fabric Is Weaving A New Era

• Re-thinking knowledge production

• Social Media und Kollektives Handeln Unter Autoritären Regimes

• The Goldilocks Enigma / Der kosmische Volltreffer

• Where Art And Science Collide

• A new Adventure of Language

• Choke Point Project

• Citizen mobilizations: The Internet and decentralized communications for social change

• Energy Field

• Generation FAB

• Hybrid Art 2011

• International Physics Masterclasses

• Managing Science and Innovation

• May the Horse Live in me

• Musical Interfaces

• ORIGIN - how did every thing begin?

• Pigeon d'Or

• Public Square Squared - How Social Fabric Is Weaving A New Era

• Re-thinking knowledge production

• Social Media and Collective Action Under Authoritarian Regimes

• The Goldilocks Enigma / Der kosmische Volltreffer

• The World of Quanta: From Fundamental Questions to a New Technology

• Tunisian Revolution - An Internet Revolution?

• Where Art And Science Collide

2010

• Dichte und das Recht auf Bewegung

• How to design for a sustainable mobility? 1. Vortrag

• How to design for a sustainable mobility? 2. Vortrag

• Immobilität

• Mobilität und Urbane Umwelt

• Repair Conference - Doing the right thing

• Density and the right to move

• How to design for a sustainable mobility? 1st lecture

• How to design for a sustainable mobility? 2nd lecture

• Immobility

• Mobility and Urban Environments

• Repair Conference - Doing the right thing

2009

• Cloud Cartography

• Cloud Intelligence - encouraging collaboration

• Cloud Intelligence Symposium

• Cloud Intelligence Symposium

• Der Indiskrete Charme der Cybourgeoisie

• Europäische Kulturgeschichte der Automaten

• Evolutionäre Psychologie und der Ursprung der menschlichen Natur

• History Talk II - Teil 1

• History Talk II - Teil 2

• History Talk VIII - Teil 1

• History Talk VIII Teil 2

• Jenseits von Gut und Böse

• Leben, Tod und Verfall - Begegnungen zwischen Kunst und Wissenschaft

• Modeling Human Disease

• Natural History of the Enigma

• Nemo Observatorium

• Speeds of Time

• WikiLeaks

• Beyond good and evil

• Cloud Cartography

• Cloud Intelligence - encouraging collaboration

• Cloud Intelligence Symposium

• Cloud Intelligence Symposium

• European history of automatons

• Evolutionary psychology and the origin of human nature

• History Talk II - part 1

• History Talk II - part 2

• History Talk VIII - part 1

• History Talk VIII - part 2

• Life, finitude and decay - Encounters between art and sience

• Modeling Human Disease

• Natural History of the Enigma

• Nemo Observatorium

• Speeds of Time

• The Indiscreet Charm of the Cybourgeoisie

• WikiLeaks

2008

• Absolut Quartet

• Can Free Culture Survive Sytemization?

• Cultural Production in Terms of Music and Films

• Diebstahl, Plagiat und Piraterie

• Eigentum und Biotechnologie

• Eine kleine Erfolgsgeschichte des Diebstahls

• From Virtualities to Embodiment - Interaktion in der Medienkunst

• Interaktion, Interaktivität, Interaktive Kunst

• Madame Tutli-Putli

• Openness

• Production and Creation in the Commons

• Wahrheit im Zeitalter der Information

• Absolut Quartet

• A small success story of theft

• Can Free Culture Survive Sytemization?

• Cultural Production in Terms of Music and Films

• From Virtualities to Embodiment - Interaction in Media Art

• Interaction, Interactivity, Interactive Art

• Madame Tutli-Putli

• Openness

• Production and Creation in the Commons

• Property and Biotechnology

• Stealing, Plagiarism and Piracy

• Truth in the age of information

2007

• Conservation of Intimacy

• Das Metanetz - Die Anatomie der modernen Überwachungsgesellschaft

• Die Kunst des Teilens. Von der ersten Netzkunst zum Web 2.0

• Hybrid Art 2007

• Interactive Art 2007

• Life after Privacy

• SymbioticA

• The New Public Life

• Überwachung als soziale Klassifikation

• Xanadu und Hypertext

• Zwischen Kontrolle und Darstellung

• Between Control und Display

• Conservation of Intimacy

• Hybrid Art 2007

• Interactive Art 2007

• Life after Privacy

• Surveillance as Social Sorting

• SymbioticA

• The art of sharing. From early netart to web 2.0

• The Metanet - The Anatomy Of The Modern Surveillance Society

• The New Public Life

• Xanadu und Hypertext

2006

• Canal*ACCESSIBLE

• Drawn

• Einfachheit und Komplexität in Raum und Zeit

• Featured Artist Speech

• Making Interactive Works

• Massenmedien

• Simplexity

• The Road Movie

• Willkürliche Energienutzung

• Canal*ACCESSIBLE

• Drawn

• Energy scavenging

• Featured Artist Speech

• Making Interactive Works

• Mass Media

• Simplexity

• Simplicity and complexity in terms of space and time

• The Road Movie

2005

• Beach Animals / Strandbeesten

• Bioart - Taxonomie eines typologischen Monsters

• Dinge, die nicht funktioniert haben

• Hybridentitäten

• Hybridity and Hybrid Identities

• Ist McLuhan noch tot? 25 Jahre später - Teil 1

• Ist McLuhan noch tot? 25 Jahre später - Teil 2

• Life Support Systems - Vanda

• Processing

• The Internet of Things - Internet 0

• Vision vom Westen in den Arabischen Medien

• Was treibt die Vision eines demokratischen Netzes voran?

• Beach Animals / Strandbeesten

• Bioart - Taxonomy of an Typological Monster

• Hybridentities

• Hybridity and Hybrid Identities

• Life Support Systems - Vanda

• McLuhan still dead? 25 years later - part 1

• McLuhan still dead? 25 years later - part 2

• Processing

• The Internet of Things - Internet 0

• Things that didn´t work out

• Vision of the West in the Arab Media

• What factors are advancing the vision of a democratic net?

2004

• 25 Years On

• Abstract Communication in Interactive Systems

• Artificial Reality

• Communities mit Zukunft

• Computer und der menschliche Geist

• Creative Commons

• Disruption

• Disruption

• Fortschritt in der Kunst

• Informatik und künstliche Intelligenz

• Mögliche Aussichten auf die kommenden 25 Jahre

• Monumental Interruption

• On the History of Interaction between Art and Technology Towards the Cultural Evolution of Human Beings

• Orchisoid

• Owning the future

• Possible Futures

• Progress

• Ryan

• Spirit

• Transfer

• 25 Years On

• Abstract Communication in Interactive Systems

• Artificial Reality

• Communities with Future

• Computer and the Human Spirit

• Computer Science and Artificial Intelligence

• Creative Commons

• Disruption

• Disruption

• Monumental Interruption

• On the History of Interaction between Art and Technology Towards the Cultural Evolution of Human Beings

• Orchisoid

• Owning the future

• Possible Features of the Next Twenty-Five Years

• Possible Futures

• Progress

• Progress in Art

• Ryan

• Spirit

• Transfer

2003

• Adobe Systems

• astro twin / cosmos

• Code oder wie es sich etwas anders schreiben lässt

• Code und Musik: Technik und Kreativität beim Komponieren

• Das Universelle Datenwerk

• Epigenetische Kunst im Rückblick: Software als Genotypus

• Exe.cut[up]able statements: Das Drängen des Codes an die Nutzeroberflächen

• Gedanken zu historischen Beziehungen zwischen digitaler Kunst, Codes und Codierer

• Häuser drucken: Code - Drucker - Häuser

• Korrelation zwischen Interaktivität und Generativität

• Medien programmieren

• MESO

• Open Knowledge

• Open-Source-Choreografie?

• Performative Software

• Read_me Software Art Festival und Runme.org

• Smart Mobs

• Tangible Code

• Voice

• Adobe Systems

• astro twin / cosmos

• Code and Music: Technology and Creativity in Composing

• Code oder wie es sich etwas anders schreiben lässt

• Correlation between Interactivity und Generativity

• Epigenetic Art Revisited: Sofware as Genotype

• Exe.cut[up]able statements: The Insistence of Code

• MESO

• Open Knowledge

• Open-Source-Choreografie?

• Performative Software

• Printing Out Buildings: Code - Printer - Buildings

• Programming Media

• Read_me Software Art Festival and Runme.org

• Reflections on Historical Relationships between Digital Arts, Codes and Coders

• Smart Mobs

• Tangible Code

• The Universal Datawork

• Voice

2002

• Access

• Art of the State

• Body Movies - Relational Architecture No. 6

• Das Télécentre Communautaire Polyvalent in Timbuktu/Mali

• Der Medienkrieg in einer Zeit des Terrors

• Der Weg der Oumou Sy

• Globalismus

• Info-Reiche oder Info-Arme

• Minitasking

• Möglichkeiten der neuen Technologien

• They Rule

• Web Blogs

• Access

• Africa: A “Have” or a “Have-not” in the Information Society?

• Art of the State

• Body Movies - Relational Architecture No. 6

• Globalism

• Minitasking

• My Way

• The Media War at a Time of Terror

• The possibilities of the new technologies

• The Timbuktu Multipurpose Community Telecentre

• They Rule

• Web Blogs

2001

• Creativity versus Marketing

• Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation.

• electrolobby Session - Ausschnitt 1

• electrolobby Session - Ausschnitt 2

• electrolobby Session - Ausschnitt 3

• electrolobby Session - Ausschnitt 4

• Le Processus

• Matrix

• Schnittstellenentwicklung

• Vom Dokument zum Event - eine Einführung

• Wie man Kunst immer am falschen Ort sucht

• Creativity versus Marketing

• Digital Preservation: Recording the Recording. The Documentary Strategy.

• electrolobby Session - except 1

• electrolobby Session - excerpt 2

• electrolobby Session - excerpt 3

• electrolobby Session - excerpt 4

• From Docment to Event - an introduction

• Interface development

• Le Processus

• Looking for Art in All the Wrong Places

• Matrix

2000

• Artistic Molecules

• Extrauterine Fötalinkubation

• Frauen in Indien

• Gendernauten - Gendernauts

• Gender, Transgender und Sex

• Genetik und Eugenik

• Natur umgestalten

• Sexualität und Reproduktion

• Sexualmedizinische Ambulanz

• Terminal Sex

• Thinking the Sexual

• Tissue Culture and Art (TC&A)

• Unbefleckt

• An Immaculate Misconception

• Artistic Molecules

• Etrauterine Fetal Incubation

• Gendernauten - Gendernauts

• Gender, Transgender and Sex

• Genetics and Eugenics

• Redesigning Nature

• Sexuality and Reproduction

• Sexual medicine ambulance

• Terminal Sex

• Thinking the Sexual

• Tissue Culture and Art (TC&A)

• Women in India

1999

• Advanced Cell Technology

• Biotechnologie & Gentechnik: Juridische und politische Fragen

• Biotechnologie und die Medien

• Biotechnologie und Gentechnik: Juridische und politische Fragen

• Der Gestaltete Körper

• Difference Engine #3

• Eine Geschichte der DNA-involvierenden Kunst

• Genesis

• Genetik und Recht

• Gentechnik und globale, wirtschaftliche Rahmenbedingungen

• Humangenetik

• Landscape One

• Linux

• Res Rocket

• Advanced Cell Technology

• A History of Art Involving DNA

• Biotechnology and Genetics: juridical and political questions

• Biotechnology and Media

• Biotechnology & Genetic Engineering: Certain Issues For Law And Policy

• Difference Engine #3

• Genesis

• Genetics and Law

• Genetics Engeneering and Global Economic Enviroment

• Human Genetics

• Landscape One

• Linux

• Res Rocket

• The Designed Body

1998

• Das Imperium schlägt zurück

• Diabolische Unsichtbarkeit Oder: Die Wahrheit liegt dort draußen

• extrémités lointaines

• Krachtgever

• Swarm

• The Sitter

• Titanic

• Videokonferenz INFOWAR

• Vortrag von Peter Arnett

• World Skin

• Diabolical Invisibility or The Truth is Out There

• extrémités lointaines

• Krachtgever

• Lecture by Peter Arnett

• Swarm

• The Empire Strikes Back

• The Sitter

• Titanic

• video conference INFOWAR

• World Skin

1997

• Border Patrol

• Dragonheart

• Funky Towel

• MMF / Make Money Fast

• Munich Samba

• Music Plays Images x Images Play Music

• TechnoSphere

• The Levi Montalcini Variations

• Border Patrol

• Dragonheart

• Funky Towel

• MMF / Make Money Fast

• Munich Samba

• Music Plays Images x Images Play Music

• TechnoSphere

• The Levi Montalcini Variations

1996

• Brain Opera

• etoy - The Hijack Project

• Global Interior Project

• Le Renard et la Rose

• Motion Phone

• Toy Story

• Brain Opera

• etoy - The Hijack Project

• Global Interior Project

• Le Renard et la Rose

• Motion Phone

• Toy Story

1995

• God's Little Monkey

• Horizontal Radio

• Hypertext

• Idea Futures

• Passage Sets/One Pulls Pivots at the Tip of the Tongue

• Ringo++

• t0 Public Netbase

• The Mask

• Tongues of Fire

• God's Little Monkey

• Horizontal Radio

• Hypertext

• Idea Futures

• Passage Sets/One Pulls Pivots at the Tip of the Tongue

• Ringo++

• t0 Public Netbase

• The Mask

• Tongues of Fire

1994

• Audience Participation

• A-Volve

• Die Zukunft der Demokratie und der vier Grundprinzipien der Computerkommunikation

• Quarxs

• realtime

• Strings & Shadows

• Audience Participation

• A-Volve

• Quarxs

• realtime

• Strings & Shadows

• The future of democracy and the four fundamentals of computer-mediated communication

1993

• Entre Temps

• …et ainsi de suit...

• Founders Series

• Lakmé

• Präsentation des Ars Electronica Center

• Simulationsraum-Mosaik mobiler Datenklänge (smdk)

• Entre Temps

• …et ainsi de suit...

• Founders Series

• Lakmé

• Presentation of Ars Electronica Center

• Simulationsraum-Mosaik mobiler Datenklänge (smdk)

1992

• Autopoiesis and Cognition

• Chant d'Ailleurs

• Chiaroscuro

• Digitaline

• Einführung Symposion Nanotechnologie

• Endophysics - Physics from Within

• Home of the Brain

• Le Pépin Géant De Arp/Les Xons

• Nanotechnologie

• Primordial Dance/Liquid Selves

• RD Text Buttons

• Reluctant Games

• Terminator II

• The Exquisite Mechanism of Shivers

• Zerseher

• Autopoiesis and Cognition

• Chant d'Ailleurs

• Chiaroscuro

• Digitaline

• Endophysics - Physics from Within

• Home of the Brain

• Introduction Symposion Nanotechnology

• Le Pépin Géant De Arp/Les Xons

• Nanotechnology

• Primordial Dance/Liquid Selves

• RD Text Buttons

• Reluctant Games

• Terminator II

• The Exquisite Mechanism of Shivers

• Zerseher

1991

• Digitales Bild B-786

• Grinning Evil Death

• Milan Knizak über Computergrafik und -animation

• Panspermia

• The Invisible Man in Blind Love

• The Tumbling Man

• Think about the people now

• Very Nervous System

• Digitales Bild B-786

• Grinning Evil Death

• Milan Knizak on computer graphics and animation

• Panspermia

• The Invisible Man in Blind Love

• The Tumbling Man

• Think about the people now

• Very Nervous System

1990

• Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie

• Head-mounted display project

• Hypermaten - Cyberpunks

• Virtual Environments, Personalsimulation und Telepräsenz

• Virtuelle Realität für kollektive kognitive Verarbeitung

• Vom Psychodelikum zur Kybernetik

• Zur dramatischen Interaktion

• Head-mounted display project

• Hypermaten - Cyberpunks

• On Dramatic Interaction

• The Future Merging of Science, Art and Psychology

• Virtual environments, personal simulation and telepresence

• Virtual Reality for Collective Cognitive Processing

• Vom Psychodelikum zur Kybernetik

1989

• Die Ganzheit des Ereignisses. Der Raum als elektronisches Environment

• Eurhythmy

• Grammophone

• Io und Stilleben

• Mask of Fear

• Son Entero

• Theater der Schatten

• Eurhythmy

• Grammophone

• Io and Stilleben

• Mask of Fear

• Son Entero

• Théatre d'Ombres

• The wholeness of the event. Space as electronic environments

1988

• Clarinet Threads

• Das elektronische Kino - Special Effects and Computeranimation

• Ohne Titel I

• The Battle

• VOX-5

• Clarinet Threads

• Electronic Cinema - Special Effects and Computer Animation

• Ohne Titel I

• The Battle

• VOX-5

1987

• Computerkunst - Ende der Kreativität oder Neubeginn der Künste

• Computer Culture - The End of Creativity or a Renaissance of Arts?

1986

• Fernsehdesign heute

• Perfect Lives und andere Arbeiten

• Perfect Lives and other works

• TV design today

1984

• Das Leben im Jahre 2019

• Der Künstler im Jahr 2019

• Die Ästhetik des digitalen Bildes

• Die Zukunft der elektronischen Musik

• Das Leben im Jahre 2019

• Digital image aesthetics

• The artist in 2019

• The future of electronic music

1982

• Gedanken zur Sky Art

• Sky Art

• Sky Art

• Thoughts on Sky Art

1979

• Die interaktiven Computerkunst-Systeme des Centre Pompidou - Teil 1

• Die interaktiven Computerkunst-Systeme des Centre Pompidou - Teil 2

• Künstlerische Gestaltung mit dem Heimcomputer - Teil 1

• Künstlerische Gestaltung mit dem Heimcomputer - Teil 2

• Artist design with the home computer - part 1

• Artist design with the home computer - part 2

• The interaktive computer art systems of the Centre Pompidou - part 1

• The Interaktive computer art systems of the Centre Pompidou - part 2