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2021

  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview (Teil 1)
  • The Practice of Art and AI - Interview (Teil 2)
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview
  • The Practice of Art and AI - Interview (part 1)
  • The Practice of Art and AI - Interview (part 2)

2020

  • #21xoxo (Artist Talk)
  • AI x Ecology
  • AI x Humanity
  • AIxMusic – Artificial Stupidity
  • AI x Uncertainty
  • Algorithms of Oppression – How Search Engines Reinforce Racism
  • Appeal of the Analogue: Real-Word Abstractions
  • Ars Electronica AIxMusic Online Hackathon: Final Presentations
  • Ars Electronica Export – Outlook and Insights
  • Ars Electronica Futurelab Creative Question Challenge: Art–Education
  • Ars Electronica Futurelab Creative Question Challenge: Art – Governance
  • Ars Electronica Futurelab Creative Question Challenge: Art – Science – Innovation
  • Ars Electronica Futurelab Creative Question Challenge: Future Ink
  • Art Thinking at Espronceda
  • Art Thinking Forum: Humanizing Technology
  • Art Thinking in Practice, Curation, Teaching and Research
  • Art Thinking in STARTS
  • Average Happiness (Artist Talk)
  • Best Practices for the Conservation of Media Art from an Artist’s Perspective
  • Be Water by HongKongers (Artist Talk)
  • Business Models for Online Contents
  • COVID -19 Crisis: Optionen der Zivilgesellschaft und der Sozialen Medien
  • COVID-19 Crisis: Wie könnte/kann sich die Gesellschaft ändern?
  • COVID-19 Crisis: Zukunftszenarien
  • Creative Question Challenge: Autonomy – Democracy
  • Creative Question Challenge: Ecology-Technology
  • Demystifying AI with Music
  • EDEN Ethics – Durability – Ecology – Nature
  • Estranging Digital Racial Terrorism After COVID
  • Fashion. Technology. Sustainability. – 1
  • Fashion. Technology. Sustainability. – 2
  • From Art Making to Art Thinking for Innovation Catalysing
  • Frontiers of Music and Artificial Intelligence by IRCAM (FR)
  • Get.Inspired
  • Google Maps Hacks (Artist Talk)
  • How an institution dedicated to digital culture dealt with the crisis?
  • How do museums deal with digital reality?
  • How ready is the gallery world for digital interfaces?
  • Infinitely Yours (Artist Talk)
  • Inside Festival: Festivals in times of COVID-19
  • Inside Festival: Joanna Bryson / Gerfried Stocker
  • Inside Festival: Lorena Jaume Palasì / Gerfried Stocker
  • Inside Festival: Roger de Weck / Renata Schmidtkunz / Gerfried Stocker
  • Key Note: Joanna Bryson
  • Key Note: Lorena Jaume Palasì
  • Keynote Lynn Hershman Leeson (US)
  • Key Note: Neri Oxman
  • Keynote: Sounding Together – Choreographing the Unpredictable
  • Looking to the Future
  • Mapping Collaborative Practice
  • Music as Experience in an age of Artificial Intelligence and Computational Creativity
  • Networked Archives
  • Only a Health Crisis?
  • On Roots and Fruits (Panel Discussion)
  • On Roots and Fruits (Talks)
  • Prix Forum Computer Animation
  • Prix Forum Digital Communities
  • Prix Forum Interactive Art +
  • Radicalization by Design
  • Random Seed: Using Gardening as a Metaphor for Machine Learning in a Creative Practise
  • Rethinking Firmitas. Design processes from the bottom up and back (Artist Talk)
  • Salon Universitas
  • Shadow Stalker (Artist Talk)
  • SOMEONE (Artist Talk)
  • S+T+ARTS Talk: Art & Tech for Urban Resilience
  • STUDIOTOPIA - Creative Question Challenge: Between scientific discovery and perceptual expansion
  • STUDIOTOPIA - Creative Question Challenge: Can unheard signals inspire change?
  • STUDIOTOPIA - Creative Question Challenge: Examining organic and digital ecosystems
  • STUDIOTOPIA - Creative Question Challenge: Human being and “soft” technologies
  • STUDIOTOPIA - Creative Question Challenge: Hybrid forms of being together
  • STUDIOTOPIA – Creative Question Challenge: Radical change by working together
  • STUDIOTOPIA - Creative Question Challenge: The Organ of Consciousness
  • The New Real: Experiental AI and the AI Lab
  • The role of the gallery as gatekeeper in 2020
  • The Women in Media Art: Telematic Performance
  • Vis. [un]necessary force_3 (Artist Talk)
  • What are the key ingredients of a social media strategy in 2020 for the art industry?
  • What is the learning of 2020?
  • Which Image of Society Made Society so Vulnerable?
  • Why is Society so Vulnerable
  • Will digitalisation lead to a more transparent market?
  • #21xoxo (Artist Talk)
  • AI x Ecology
  • AI x Humanity
  • AIxMusic – Artificial Stupidity
  • AI x Uncertainty
  • Algorithms of Oppression – How Search Engines Reinforce Racism
  • Appeal of the Analogue: Real-Word Abstractions
  • Ars Electronica AIxMusic Online Hackathon: Final Presentations
  • Ars Electronica Export – Outlook and Insights
  • Ars Electronica Futurelab Creative Question Challenge: Art–Education
  • Ars Electronica Futurelab Creative Question Challenge: Art – Governance
  • Ars Electronica Futurelab Creative Question Challenge: Art – Science – Innovation
  • Ars Electronica Futurelab Creative Question Challenge: Future Ink
  • Art Thinking at Espronceda
  • Art Thinking Forum: Humanizing Technology
  • Art Thinking in Practice, Curation, Teaching and Research
  • Art Thinking in STARTS
  • Average Happiness (Artist Talk)
  • Best Practices for the Conservation of Media Art from an Artist’s Perspective
  • Be Water by HongKongers (Artist Talk)
  • Business Models for Online Contents
  • COVID-19 Crisis: Future Scenarios
  • COVID-19 Crisis: How could/can society change?
  • COVID -19 Crisis: What options does civil society and social media have?
  • Creative Question Challenge: Autonomy – Democracy
  • Creative Question Challenge: Ecology-Technology
  • Demystifying AI with Music
  • EDEN Ethics – Durability – Ecology – Nature
  • Estranging Digital Racial Terrorism After COVID
  • Fashion. Technology. Sustainability. – 1
  • Fashion. Technology. Sustainability. – 2
  • From Art Making to Art Thinking for Innovation Catalysing
  • Frontiers of Music and Artificial Intelligence by IRCAM (FR)
  • Get.Inspired
  • Google Maps Hacks (Artist Talk)
  • How an institution dedicated to digital culture dealt with the crisis?
  • How do museums deal with digital reality?
  • How ready is the gallery world for digital interfaces?
  • Infinitely Yours (Artist Talk)
  • Inside Festival: Festivals in times of COVID-19
  • Inside Festival: Joanna Bryson / Gerfried Stocker
  • Inside Festival: Lorena Jaume Palasì / Gerfried Stocker
  • Inside Festival: Roger de Weck / Renata Schmidtkunz / Gerfried Stocker
  • Key Note: Joanna Bryson
  • Key Note: Lorena Jaume Palasì
  • Keynote Lynn Hershman Leeson (US)
  • Key Note: Neri Oxman
  • Keynote: Sounding Together – Choreographing the Unpredictable
  • Looking to the Future
  • Mapping Collaborative Practice
  • Music as Experience in an age of Artificial Intelligence and Computational Creativity
  • Networked Archives
  • Only a Health Crisis?
  • On Roots and Fruits (Panel Discussion)
  • On Roots and Fruits (Talks)
  • Prix Forum Computer Animation
  • Prix Forum Digital Communities
  • Prix Forum Interactive Art +
  • Radicalization by Design
  • Random Seed: Using Gardening as a Metaphor for Machine Learning in a Creative Practise
  • Rethinking Firmitas. Design processes from the bottom up and back (Artist Talk)
  • Salon Universitas
  • Shadow Stalker (Artist Talk)
  • SOMEONE (Artist Talk)
  • S+T+ARTS Talk: Art & Tech for Urban Resilience
  • STUDIOTOPIA - Creative Question Challenge: Between scientific discovery and perceptual expansion
  • STUDIOTOPIA - Creative Question Challenge: Can unheard signals inspire change?
  • STUDIOTOPIA - Creative Question Challenge: Examining organic and digital ecosystems
  • STUDIOTOPIA - Creative Question Challenge: Human being and “soft” technologies
  • STUDIOTOPIA - Creative Question Challenge: Hybrid forms of being together
  • STUDIOTOPIA – Creative Question Challenge: Radical change by working together
  • STUDIOTOPIA - Creative Question Challenge: The Organ of Consciousness
  • The New Real: Experiental AI and the AI Lab
  • The role of the gallery as gatekeeper in 2020
  • The Women in Media Art: Telematic Performance
  • Vis. [un]necessary force_3 (Artist Talk)
  • What are the key ingredients of a social media strategy in 2020 for the art industry?
  • What is the learning of 2020?
  • Which Image of Society Made Society so Vulnerable?
  • Why is Society so Vulnerable
  • Will digitalisation lead to a more transparent market?

2019

  • 100 Jahre Bauhaus / How to teach digital technologies in an artistic context?
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus / We are not alone: computers in context
  • 100 Jahre Bauhaus: We are not alone - Einführung
  • Activate & Participate - Diskussion
  • AI & The New World Order
  • AIxMusic Cultural Organizations
  • AIxMusic Cultural Organizations
  • AIxMusic Cultural Organizations
  • AIxMusic Dialogue II: AI & Bio Art
  • AIxMusic Dialogue III: Anatomies of AI
  • AIxMusic Dialogue I: Komposition, Interpretation, Reproduction – 3 shades of creativity
  • AIxMusic Dialogue IV: AI and Music Research
  • AIxMusic Dialogue VI: AI and Gaming
  • AIxMusic Dialogue VII: Dear Glenn – Yamaha AI Project
  • AIxMusic Dialogue V: Overview of the AI and Music scene in the Bay Area
  • AIxMusic Industry Research
  • AIxMusic Industry Research
  • AIxMusic Industry Research
  • AIxMusic Matinée: IRCAM - 1
  • AIxMusic Matinée: IRCAM - 2
  • AIxMusic Matinée: Music Information & Music Data
  • AIxMusic Matinée: Music Information & Music Data
  • AIxMusic Matinée: Pioneering the educational field
  • AIxMusic Matinée: Pioneering the educational field
  • AIxMusic Panel I: Homo Deus
  • AIxMusic Panel II: AI, more than a technology
  • AIxMusic Panel III: Deep Journalism, Information and Misinformation in the age of Artificial Intelligence
  • AIxMusic Panel IV: What is Creativity?
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AI x Musics: Technology for non human death
  • Amplifying Human Ingenuity with Intelligent Technology
  • Anatomy of an AI System
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Net Art - 1
  • Ars Electronica History Summit / Net Art - 2
  • Ars Electronica History Summit: Part 1 Pioneers - 1
  • Ars Electronica History Summit: Part 1 Pioneers - 2
  • Ars Electronica History Summit: Part 2 Media Art around the World
  • Ars Electronica History Summit: Part 2 Media Art around the World
  • Art and Technology in Silicon Valley – Digital Humanism in European Cultural Diplomacy
  • Artistic theory and technical execution: behind the scenes of the short film Miazmat by Platige Image
  • Beeple: Everydays
  • !brute_force
  • Bubbling Foam
  • Canon ARTLAB and other curated works
  • CIUTAT VELLA’S LAND-USE PLAN
  • Confronting Vegetal Otherness – Skotopoiesis, Phytoteratology, Strange Encounters
  • Creativity, Art & Education - Diskussion
  • Cultural Institutions are the Battleground for the Future
  • Data Journalism: Inspiration and Conflict
  • Designing Structures within Universities where New Things Can Happen
  • Ethics by Design: Respect the Autonomy of Others
  • European Platform for Digital Humanism - Welcome Address
  • Experiential AI: Entanglements – Fair, Moral and Transparent AI / Ambition
  • Experiential AI: Entanglements – Fair, Moral and Transparent AI / Current Practice
  • Experiential AI: Entanglements – Fair, Moral and Transparent AI / Einleitung
  • Fridays for Future
  • Gallery Spaces Panel II: Art & Science for Ecology – Teil 1
  • Gallery Spaces Panel II: Art & Science for Ecology – Teil 2
  • Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Teil 1
  • Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Teil 2
  • Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Teil 3
  • Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Teil 1
  • Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Teil 2
  • Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Teil 1
  • Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Teil 2
  • Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Teil 3
  • Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Teil 1
  • Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Teil 2
  • Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Teil 3
  • Gallery Spaces Panel VII: Digital art going mainstream? - Teil 1
  • Gallery Spaces Panel VII: Digital art going mainstream? - Teil 2
  • Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Teil 1
  • Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Teil 2
  • Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Teil 3
  • History and Prehistory of Japanese media art
  • How to apply Game Engines in Creative and Classic Industries
  • Humane Technology
  • Humanize Waht? Why? Tools, Media or Persons
  • Humanizing AI
  • Humanizing AI
  • Humanizing AI - Diskussion
  • Humanizing AI: The still important issue of diversity
  • Humans need not apply
  • ICC´s Role in Promoting and Exhibiting Japanese Media Art in Japan
  • Innovationsforum GET.Inspired – Welcome
  • Japanese Media Art in History Summit at Ars Electronica 2019 – Einführung
  • knowledge for humanity hub (k4h+)
  • Labor
  • ManicVR
  • Media Art Education in Japan
  • More than a feeling: an inquiry on game feel
  • Names and Myths of Technologies
  • Prix Forum II – Digital Musics & Sound Art / Diskussion
  • Prix Forum II - Digital Musics & Sound Art / Einführung
  • Prix Forum III – Artificial Intelligence & Life Art / Diskussion
  • Prix Forum III – Artificial Intelligence & Life Art / Einführung
  • Project Alias
  • Quantum Logos
  • Role as a Media Art Pioneer and Educator
  • SHE BON
  • STARTS Prize´19 Honorary Mentions
  • Stimuli and Killers of Creativity
  • Storytelling through abstraction
  • Strings
  • Technologies of Engagement - 1
  • Technologies of Engagement - 2
  • Telecommunications Art / Bill Bartlett im Gespräch
  • Telecommunications Art - Einführung
  • Telecommunications Art / Robert Adrian X
  • Telecommunications Art / Van Gogh TV - Part I
  • Telecommunications Art / Van Gogh TV - Part II
  • The Hidden Life of an Amazon User
  • The master´s tools in times of climate change
  • They taste differently
  • Time bending media
  • TORSO #1
  • Trajectories Panel – Diskussion
  • Überwachungskapitalismus und Freiheitsideologie. Kritik der theoretischen Grundlagen fehlender Regulierungen
  • Undershoot, sensitive data: Cristiano
  • Užupis
  • VFRAME: Visual Forensics and Metadata Extraction
  • Voices from AI in Experimental Improvisation
  • Welcome to the Midlife Crisis Panel - Diskussion
  • Wombs
  • Women Reclaiming AI (2019)
  • 100 Jahre Bauhaus / How to teach digital technologies in an artistic context?
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus: We are not alone
  • 100 Jahre Bauhaus / We are not alone: computers in context
  • 100 Jahre Bauhaus: We are not alone - Introduction
  • Activate & Participate - Discussion
  • AI & The New World Order
  • AIxMusic Cultural Organizations
  • AIxMusic Cultural Organizations
  • AIxMusic Cultural Organizations
  • AIxMusic Dialogue II: AI & Bio Art
  • AIxMusic Dialogue III: Anatomies of AI
  • AIxMusic Dialogue I: Komposition, Interpretation, Reproduction – 3 shades of creativity
  • AIxMusic Dialogue IV: AI and Music Research
  • AIxMusic Dialogue VI: AI and Gaming
  • AIxMusic Dialogue VII: Dear Glenn – Yamaha AI Project
  • AIxMusic Dialogue V: Overview of the AI and Music scene in the Bay Area
  • AIxMusic Industry Research
  • AIxMusic Industry Research
  • AIxMusic Industry Research
  • AIxMusic Matinée: IRCAM - 1
  • AIxMusic Matinée: IRCAM - 2
  • AIxMusic Matinée: Music Information & Music Data
  • AIxMusic Matinée: Music Information & Music Data
  • AIxMusic Matinée: Pioneering the educational field
  • AIxMusic Matinée: Pioneering the educational field
  • AIxMusic Panel I: Homo Deus
  • AIxMusic Panel II: AI, more than a technology
  • AIxMusic Panel III: Deep Journalism, Information and Misinformation in the age of Artificial Intelligence
  • AIxMusic Panel IV: What is Creativity?
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AIxMusic Start-Ups and Applications
  • AI x Musics: Technology for non human death
  • Amplifying Human Ingenuity with Intelligent Technology
  • Anatomy of an AI System
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Interaktive Art & Bio Art
  • Ars Electronica History Summit / Net Art - 1
  • Ars Electronica History Summit / Net Art - 2
  • Ars Electronica History Summit: Part 1 Pioneers - 1
  • Ars Electronica History Summit: Part 1 Pioneers - 2
  • Ars Electronica History Summit: Part 2 Media Art around the World
  • Ars Electronica History Summit: Part 2 Media Art around the World
  • Art and Technology in Silicon Valley – Digital Humanism in European Cultural Diplomacy
  • Artistic theory and technical execution: behind the scenes of the short film Miazmat by Platige Image
  • Beeple: Everydays
  • !brute_force
  • Bubbling Foam
  • Canon ARTLAB and other curated works
  • CIUTAT VELLA’S LAND-USE PLAN
  • Confronting Vegetal Otherness – Skotopoiesis, Phytoteratology, Strange Encounters
  • Creativity, Art & Education - Discussion
  • Cultural Institutions are the Battleground for the Future
  • Data Journalism: Inspiration and Conflict
  • Designing Structures within Universities where New Things Can Happen
  • Ethics by Design: Respect the Autonomy of Others
  • European Platform for Digital Humanism - Welcome Address
  • Experiential AI: Entanglements – Fair, Moral and Transparent AI / Ambition
  • Experiential AI: Entanglements – Fair, Moral and Transparent AI / Current Practice
  • Experiential AI: Entanglements – Fair, Moral and Transparent AI / Introduction
  • Fridays for Future
  • Gallery Spaces Panel II: Art & Science for Ecology – Part 1
  • Gallery Spaces Panel II: Art & Science for Ecology – Part 2
  • Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Part 1
  • Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Part 2
  • Gallery Spaces Panel III: The Potential and Limitations of the Media Art Market - Part 3
  • Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Part 1
  • Gallery Spaces Panel I: Unlocking the power of digital art and emerging technologies to radically disrupt the art market – Part 2
  • Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Part 1
  • Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Part 2
  • Gallery Spaces Panel IV: Interdisciplinary Art – how becoming established? - Part 3
  • Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Part 1
  • Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Part 2
  • Gallery Spaces Panel V: Artists & scientists – Exploring new forms of collaboration (Scientist in Residence Program) - Part 3
  • Gallery Spaces Panel VII: Digital art going mainstream? - Part 1
  • Gallery Spaces Panel VII: Digital art going mainstream? - Part 2
  • Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Part 1
  • Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Part 2
  • Gallery Spaces Panel VI: Paradoxes and obstacles in maintaining and staging alive biomedia art - Part 3
  • History and Prehistory of Japanese media art
  • How to apply Game Engines in Creative and Classic Industries
  • Humane Technology
  • Humanize Waht? Why? Tools, Media or Persons
  • Humanizing AI
  • Humanizing AI
  • Humanizing AI - Discussion
  • Humanizing AI: The still important issue of diversity
  • Humans need not apply
  • ICC´s Role in Promoting and Exhibiting Japanese Media Art in Japan
  • Innovationsforum GET.Inspired – Begrüßung und Eröffnung
  • Japanese Media Art in History Summit at Ars Electronica 2019 – Introduction
  • knowledge for humanity hub (k4h+)
  • Labor
  • ManicVR
  • Media Art Education in Japan
  • More than a feeling: an inquiry on game feel
  • Names and Myths of Technologies
  • Prix Forum II – Digital Musics & Sound Art / Discussion
  • Prix Forum II - Digital Musics & Sound Art / Introduction
  • Prix Forum III – Artificial Intelligence & Life Art / Discussion
  • Prix Forum III – Artificial Intelligence & Life Art / Introduction
  • Project Alias
  • Quantum Logos
  • Role as a Media Art Pioneer and Educator
  • SHE BON
  • STARTS Prize´19 Honorary Mentions
  • Stimuli and Killers of Creativity
  • Storytelling through abstraction
  • Strings
  • surveillance capitalism and freedom ideology. Criticism of the theoretical basis of missing regulations
  • Technologies of Engagement - 1
  • Technologies of Engagement - 2
  • Telecommunications Art / Bill Bartlett in conversation
  • Telecommunications Art - Introduction
  • Telecommunications Art / Robert Adrian X
  • Telecommunications Art / Van Gogh TV - Part I
  • Telecommunications Art / Van Gogh TV - Part II
  • The Hidden Life of an Amazon User
  • The master´s tools in times of climate change
  • They taste differently
  • Time bending media
  • TORSO #1
  • Trajectories Panel – Discussion
  • Undershoot, sensitive data: Cristiano
  • Užupis
  • VFRAME: Visual Forensics and Metadata Extraction
  • Voices from AI in Experimental Improvisation
  • Welcome to the Midlife Crisis Panel - discussion
  • Wombs
  • Women Reclaiming AI (2019)

2018

  • Algorithmethics
  • Alter
  • Alternate Reality Game STAHLSTADT
  • Amsterdams’ 3D Printed Steel Bridge
  • Anti-Racism Movement (ARM)
  • A Portal to the Digital
  • Artificial Intelligence Doesn’t Do As Much As You Think: Errors in Concepts of AI
  • Art Talks - Media Art Market Symposium
  • Art Talks - Media Art Market Symposium
  • Art Talks: Media Art Market Symposium
  • Art Talks: Media Art Market Symposium
  • Art Talks: Media Art Market Symposium
  • Avoidable Delay. Measuring Error in Practices
  • Bellingcat
  • Beyond Patronage: Artists and Experimental Monetization 1
  • Beyond Patronage: Artists and Experimental Monetization 2
  • Birthday Statement to Leonardo
  • Birthday Statement to Leonardo
  • Birthday Statement to Leonardo
  • BitSoil Popup Tax & Hack Campaign
  • Challenges and Opportunities of Virtual Filmmaking
  • Composing the music of the future with Artificial Intelligence
  • Cooperative Aesthetics
  • Creative AI Landscape – a critical review of current expectations
  • Danke! Wie Österreich meine Heimat wurde.
  • Data to the People – The Path Away from Digital Feudalism
  • Deep Fake or Rendering the Truth
  • Deep Fake or Rendering the Truth
  • Deep Fake or Rendering the Truth
  • Deep Fake or Rendering the Truth
  • Designing New Mythologies
  • Digital Presentation Strategies and Collections 1
  • Digital Presentation Strategies and Collections 2
  • Einführung Academy of ERROR
  • Einführung - Deep Fake or Rendering the Truth
  • Einführung - Get Inspired Symposium
  • Einführung Prix Forum III - Digital Communities
  • Einfühurng Visionary Pioneers of Media Art - LEONARDO
  • error, culture & uncertainty
  • ERROR in research. Science and the future perfect tense?
  • Errorista
  • Error, Norm, Dogma & Radical Atoms
  • Error of Errors
  • Everyone is Wrong on the Internet – Saving democratic debate from social media
  • From Ocean to Outer Space: Re-evolution as the Interface in Generative Animation
  • Future Flora
  • g0v.tw
  • Get Inspired Presentations 1
  • Get Inspired Presentations 2
  • Get Inspired Presentations 3
  • Get Inspired Presentations 4
  • [help me know the truth]
  • Human Errors: Evolutionary Glitches in the Human Body
  • Innovation
  • Inspired by our families, built with our hearts. The emotional design of Old Man’s Journey.
  • Introduction Prix Forums & Art Talks
  • La Chute / The Fall
  • Laudatio für Leonardo / ISAST
  • Leonardo / ISAST
  • LINZ-V.R.-(T)RAUM
  • Nach dem zweiten negativen Bescheid...
  • On Paracinema and the Dematerialisation of Animation
  • Preservation of Media Art
  • Preservation of Media Art
  • Preservation of Media Art
  • Preservation of Media Art
  • Seriously Fun: Opportunities and Considerations for Artists Contributing to Medical and Serious Gaming Virtual Reality
  • Shimmering Perceptrons
  • SLEEP48
  • Social Furniture
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • STARTS Prize 2018 Selection
  • Strategy for responsible Innovation
  • Support Group Network – Working together for a better future
  • The Art of Imperfection Conference I - Begrüßung und Eröffnung
  • The Camp as Labo(u)ratory
  • The Fractured Mirror: Reflecting on Artificial Intelligence
  • The Fragile - Einführung durch die Moderatorin
  • Think Different – Or what I have learned in San Francisco
  • Through the Membrane
  • Tropics
  • Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 1
  • Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 2
  • Unser Leben in Afghanistan und in Österreich
  • Virtual Surrealities and the Liminal
  • Visualising the Invisible - Aesthetics of the Near Future
  • Welcome and Integration of Refugees in Europe (WIR)
  • Welcome to Get Inspired
  • Welcome to Get Inspired
  • When are we? Adventures in the Machine Readable Self
  • Zukunft der Integrationspolitik in Österreich
  • ZusammenHelfen Konferenz - Abschluss und Ausblick
  • ZusammenHelfen Konferenz - Eröffnungsworte
  • ZusammenHelfen Konferenz - Eröffnungsworte
  • Algorithmethics
  • Alter
  • Alternate Reality Game STAHLSTADT
  • Amsterdams’ 3D Printed Steel Bridge
  • Anti-Racism Movement (ARM)
  • A Portal to the Digital
  • Artificial Intelligence Doesn’t Do As Much As You Think: Errors in Concepts of AI
  • Art Talks - Media Art Market Symposium
  • Art Talks - Media Art Market Symposium
  • Art Talks: Media Art Market Symposium
  • Art Talks: Media Art Market Symposium
  • Art Talks: Media Art Market Symposium
  • Avoidable Delay. Measuring Error in Practices
  • Bellingcat
  • Beyond Patronage: Artists and Experimental Monetization 1
  • Beyond Patronage: Artists and Experimental Monetization 2
  • Birthday Statement to Leonardo
  • Birthday Statement to Leonardo
  • Birthday Statement to Leonardo
  • BitSoil Popup Tax & Hack Campaign
  • Challenges and Opportunities of Virtual Filmmaking
  • Composing the music of the future with Artificial Intelligence
  • Cooperative Aesthetics
  • Creative AI Landscape – a critical review of current expectations
  • Danke! Wie Österreich meine Heimat wurde.
  • Data to the People – The Path Away from Digital Feudalism
  • Deep Fake or Rendering the Truth
  • Deep Fake or Rendering the Truth
  • Deep Fake or Rendering the Truth
  • Deep Fake or Rendering the Truth
  • Designing New Mythologies
  • Digital Presentation Strategies and Collections 1
  • Digital Presentation Strategies and Collections 2
  • Einführung Prix Forums & Art Talks
  • error, culture & uncertainty
  • ERROR in research. Science and the future perfect tense?
  • Errorista
  • Error, Norm, Dogma & Radical Atoms
  • Error of Errors
  • Everyone is Wrong on the Internet – Saving democratic debate from social media
  • From Ocean to Outer Space: Re-evolution as the Interface in Generative Animation
  • Future Flora
  • g0v.tw
  • Get Inspired Presentations 1
  • Get Inspired Presentations 2
  • Get Inspired Presentations 3
  • Get Inspired Presentations 4
  • [help me know the truth]
  • Human Errors: Evolutionary Glitches in the Human Body
  • Innovation
  • Inspired by our families, built with our hearts. The emotional design of Old Man’s Journey.
  • Introduction Academy of ERROR
  • Introduction - Deep Fake or Rendering the Truth
  • Introduction - Get Inspired Symposium
  • Introduction to Prix Forum III - Digital Communities
  • Introduction to Visionary Pioneers of Media Art - LEONARDO
  • La Chute / The Fall
  • Laudatory speech for Leonardo / ISAST
  • Leonardo / ISAST
  • LINZ-V.R.-(T)RAUM
  • On Paracinema and the Dematerialisation of Animation
  • Our life in Afghanistan and in Austria
  • Preservation of Media Art
  • Preservation of Media Art
  • Preservation of Media Art
  • Preservation of Media Art
  • Seriously Fun: Opportunities and Considerations for Artists Contributing to Medical and Serious Gaming Virtual Reality
  • Shimmering Perceptrons
  • SLEEP48
  • Social Furniture
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • Space Art – Trial and Error in Art & Science
  • STARTS Prize 2018 Selection
  • Strategy for responsible Innovation
  • Support Group Network – Working together for a better future
  • The Art of Imperfection Conference I - Welcome Address
  • The Camp as Labo(u)ratory
  • The Fractured Mirror: Reflecting on Artificial Intelligence
  • The Fragile - Moderators Introduction
  • The future of integration politics in Austria
  • Think Different – Or what I have learned in San Francisco
  • Through the Membrane
  • Tropics
  • Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 1
  • Und was machst du so? Vom Flüchtling und Schulabbrecher zum internationalen Unternehmer 2
  • Virtual Surrealities and the Liminal
  • Visualising the Invisible - Aesthetics of the Near Future
  • Welcome and Integration of Refugees in Europe (WIR)
  • Welcome to Get Inspired
  • Welcome to Get Inspired
  • What happens after the second rejection of an asylum application…
  • When are we? Adventures in the Machine Readable Self
  • ZusammenHelfen Conference - Closing and future perspectives
  • ZusammenHelfen Conference - Welcome
  • ZusammenHelfen Konferenz - Welcome

2017

  • About the Existing / Not Existing Market of Media Art - Teil 1
  • About the Existing / Not Existing Market of Media Art - Teil 2
  • AI&BI: Can Deep Mind Meet Deep Body?
  • AI: Past, Presence, Future
  • Aktuelles - Integration
  • Aktuelles - Lehre und Berufsschule für geflüchtete Menschen
  • Anita Beckers Gallery
  • Archiving works and exhibitions in media art in case of ICC
  • Art and High Dimensional Life
  • ART+COM
  • Artificial Intelligence and Image Culture
  • Art & Science Residency @ ESA 2016/2017 – Aoife van Linden Tol
  • Art & Science Residency @ ESA 2016/2017 – Sarah Petkus und Ergebnisse einer Evaluation der Residency am ESTEC
  • Art & Science Residency @ Fraunhofer MEVIS 2017 – Yen Tzu Chang
  • A Study into 21st Century Drone Acoustics
  • Autodesk Education Experiences: Future of Making with Swarms
  • Autonomous Mobility
  • Blockchain
  • Broken Visions in Stereo
  • Can Machines Create Art?
  • Chancen und Herausforderungen der Fluchtzuwanderung für Europa
  • Compassionate Conversational Systems
  • Corpus Nil
  • Culture and Politics in the Age of AI
  • Dancing with the Datasets
  • Deep Learning
  • Deep Learning for Distributed and Swarm Intelligence
  • Die Kattunfabrik – das CutureLab
  • Digital Games as Hybrid, Artistic Material
  • Diskussion STARTS Prize Forum 2017
  • Do Androids Dream of Electric Sheep?
  • Drones and the Future of Swarm Logistics
  • Einführung Spaxels Research Initiative
  • Emerging Voices: Building Coalitions between Intersectional Feminism and Eco-Feminism towards a Preferable Future
  • ESA–European Space Agency
  • Everything
  • Examples of Art and Technology Synthesis: Selected Interactive Art Works
  • Faces—“From C to X: networked feminisms” – Diskussion
  • Faces—“From C to X: networked feminisms” - Talks
  • Feminism and the sciences / Environmentalism
  • From Encounter to Collaboration – A Quantum Shift in Art & Science?
  • Gamelan Wizard
  • Hearing the Lion’s Song
  • HelferInnenkonferenz 2017 - Abschluss und Ausblick
  • HelferInnenkonferenz 2017 - Begrüßung & Eröffnung
  • How Not To Win An Oscar
  • Ikono TV
  • I'm Humanity
  • Informationen zu Bildungschancen, Lehre und Berufsschule für geflüchtete Menschen
  • Integration geflüchteter Menschen – Anforderungen, Chancen, Ambivalenzen
  • Intelligent Machines That Learn: What Do They Know? Do They Know Things?? Let´s Find Out!
  • Interactive Animation and Ugly Aesthetics
  • Internet of Things
  • Ji-Ji-Mu-Ge / End to End Transformation of Everything
  • K-9_topology
  • Life –Likeness. Designing Behaviors of Intelligent Machines
  • Light Barrier
  • Machine Learning as Creative, Collaborative Design Tool
  • Man 2.0: AI in the Anthropocene
  • New Media Art – Collection management, distribution and display tools
  • New Technologies for Preserving, Collecting and Storing Media Art
  • Not Your World Music: Noise In South East Asia
  • Out of Exile
  • Playing Hard Makes Work Easy
  • Practices and Initiatives – Diskussion
  • Practices and Initiatives - Talks
  • Proposing Futures
  • Rock Print
  • Schwarmintelligenz: Was Autos and Bienen gemeinsam haben
  • Sci Art: Vision to Practice. Artist-Astronaut Candidate
  • S[edition]. An experimental marketplace for digital art - imagining the future of the art market
  • Spirituality and AI
  • Swarm as a Communication Medium
  • Syrien, Irak, Afghanistan: Hintergründe und Erfahrungen von Flucht und Krieg
  • Tangible Bits
  • The Algorithmic Society – Legal and Ethical Questions of AI, Robotics, and Autonomous Systems
  • The America Project
  • The Conversation of Artists and Scientists – Why do they need Curators?
  • The Design Practice of Art and Science
  • There is no AI Ethics: Five Reasons Not to Other AI
  • uugot.it – Understanding TV everywhere!
  • Visualizing Sound–Listening to Images
  • Visual Thinking
  • Wie Interkulturalität zur Integration von MigrantInnen beiträgt – Am Beispiel des Zentrums der ‚Fondation Orient-Occident‘ in Marokko
  • WOHNEN MIT ASYL – Wartberger Sozialfonds für Wohnungssuchende Flüchtlinge
  • About the Existing / Not Existing Market of Media Art - part 1
  • About the Existing / Not Existing Market of Media Art - part 2
  • AI&BI: Can Deep Mind Meet Deep Body?
  • AI: Past, Presence, Future
  • Anita Beckers Gallery
  • Archiving works and exhibitions in media art in case of ICC
  • Art and High Dimensional Life
  • ART+COM
  • Artificial Intelligence and Image Culture
  • Art & Science Residency @ ESA 2016/2017 – Aoife van Linden Tol
  • Art & Science Residency @ ESA 2016/2017 – Sarah Petkus and results of the Residency Evaluation at ESTEC
  • Art & Science Residency @ Fraunhofer MEVIS 2017 – Yen Tzu Chang
  • A Study into 21st Century Drone Acoustics
  • Autodesk Education Experiences: Future of Making with Swarms
  • Autonomous Mobility
  • Blockchain
  • Broken Visions in Stereo
  • Can Machines Create Art?
  • Challenges and opportunities of immigration caused by the flow of refugees
  • Compassionate Conversational Systems
  • Corpus Nil
  • Culture and Politics in the Age of AI
  • Current issues - Apprenticeship and vocational school for refugees
  • Current issues - Integration
  • Dancing with the Datasets
  • Deep Learning
  • Deep Learning for Distributed and Swarm Intelligence
  • Digital Games as Hybrid, Artistic Material
  • Discussion STARTS Prize Forum 2017
  • Do Androids Dream of Electric Sheep?
  • Drones and the Future of Swarm Logistics
  • Emerging Voices: Building Coalitions between Intersectional Feminism and Eco-Feminism towards a Preferable Future
  • ESA–European Space Agency
  • Everything
  • Examples of Art and Technology Synthesis: Selected Interactive Art Works
  • Faces—“From C to X: networked feminisms” – Discussion
  • Faces—“From C to X: networked feminisms” - Talks
  • Feminism and the sciences / Environmentalism
  • From Encounter to Collaboration – A Quantum Shift in Art & Science?
  • Gamelan Wizard
  • Hearing the Lion’s Song
  • HelferInnenkonferenz 2017 - Closing and future perspectives
  • HelferInnenkonferenz 2017 - Welcome & Opening
  • How interculturality contributes to the integration of Migrants. – The Example of the center of the „Fondation Orient-Occident“ in Morocco
  • How Not To Win An Oscar
  • Ikono TV
  • I'm Humanity
  • Information about educational oppurtunities, apprenticeship and vocational school for refugees
  • Integration of refugees – requirements, opportunities and discrepancies
  • Intelligent Machines That Learn: What Do They Know? Do They Know Things?? Let´s Find Out!
  • Interactive Animation and Ugly Aesthetics
  • Internet of Things
  • Introduction Spaxels Research Initiative
  • Ji-Ji-Mu-Ge / End to End Transformation of Everything
  • K-9_topology
  • Life –Likeness. Designing Behaviors of Intelligent Machines
  • Light Barrier
  • Machine Learning as Creative, Collaborative Design Tool
  • Man 2.0: AI in the Anthropocene
  • New Media Art – Collection management, distribution and display tools
  • New Technologies for Preserving, Collecting and Storing Media Art
  • Not Your World Music: Noise In South East Asia
  • Out of Exile
  • Playing Hard Makes Work Easy
  • Practices and Initiatives – Discussion
  • Practices and Initiatives - Talks
  • Proposing Futures
  • Rock Print
  • Sci Art: Vision to Practice. Artist-Astronaut Candidate
  • S[edition]. An experimental marketplace for digital art - imagining the future of the art market
  • Spirituality and AI
  • Swarm as a Communication Medium
  • Swarm intelligence: What cars and bees do have in common
  • Syria, Iraq, Afghanistan: backgrounds and experiences of refugees and war
  • Tangible Bits
  • The Algorithmic Society – Legal and Ethical Questions of AI, Robotics, and Autonomous Systems
  • The America Project
  • The Conversation of Artists and Scientists – Why do they need Curators?
  • The Design Practice of Art and Science
  • The Kattunfabrik – the CutureLab
  • There is no AI Ethics: Five Reasons Not to Other AI
  • uugot.it – Understanding TV everywhere!
  • Visualizing Sound–Listening to Images
  • Visual Thinking
  • WOHNEN MIT ASYL – Social fund for apartment-hunting refugees.

2016

  • Alchemical Theory & Praxis as a Specific Form of Matériology in an Attempt to Discover Alchemist Principles as Archaic Energies in the Process of Changing the World
  • Animals vs Machines - When Creativity Goes Uncontrollable
  • Animation and Artistic Diversity
  • Art. Audience. Life.
  • Atoms: A collective order, entropy and self Organisation
  • Berlin State Festival: Festival curation; creating an open meeting ground for science and the public
  • BioLogic
  • BNL Media Art Festival: Innovating Media Art through education
  • Cairotronica: Bridging of Audiences and Professionals through Art
  • Can you hear me?
  • Chowberry
  • Contemporary Artistic Perspectives on the Quest for the Gold of our Time and on the Impact of its “Elementary Hallucination(s)”
  • Cybernetic Serendipity - eine kurze tour durch die Ausstellung
  • Das erste Restaurant von Geflüchteten für ÖsterreicherInnen
  • Das Refugee Phrasebook
  • DISCUSSING THE FUTURE OF THE LABS
  • Enabling Technologies
  • ESA Residency Winner 2016
  • ESO Residency Winner 2016 - Quadrature
  • Europa: Flüchtlingskrise oder Solidaritätskrise?
  • European Southern Observatory
  • European Space Agency
  • Fablab Egypt: The Rise of the Maker Community in Egypt
  • Faktoren politischer Sozialisation aus der Sicht zweier Jugendlicher
  • Flüchtling ist kein Beruf – Wie Integration in Ausbildung und Beruf gelingen kann.
  • Form Giving
  • Future Innovators Summit: Finale Präsentation - Gruppe A
  • Future Innovators Summit: Finale Präsentation - Gruppe B
  • Future Innovators Summit: Finale Präsentation - Gruppe C
  • Future Innovators Summit: Finale Präsentation - Gruppe D
  • Future Innovators Summit: Finale Präsentation - Gruppe E
  • Future Innovators Summit: Final Presentation - Introduction
  • Future Possibilities of Astrobiological Horticulture
  • Good Practice: Rosenbauer
  • Google ATAP: Making the Entire World Interactive: Innovation and Creativity on a Very Large Scale.
  • Hass auf HelferInnen – Wieso gerade im Web so viel Wut sichtbar ist und was wir gegen Hasskommentare tun können.
  • Hyundai Motor Group VH Award. Why technology matters in 21st century.
  • In den Dschungel von Calais
  • inFORM und Beyond
  • InstaHealth
  • Kinetic
  • LineFORM und Meta-Materiality
  • Museo de la Universidad Nacional de Tres de Febrero: Laboratory–Museum Space: an effective interaction place for Artists and Scientists
  • No Frame
  • Nosaj Thing / Cold Stares ft. Chance The Rapper + The O'My's
  • OpenSurgery
  • P2P Foundation
  • Partizipation und politische Sozialisation im Zeitalter neuer Medien
  • Peripheria
  • Planting Seeds of Surreality
  • Prix Forum II Digital Communities / Q&A Runde
  • Prix Forum III Interactive Art+/ Q&A Round
  • Prix Forum IV - Visionary Pioneers of Media Art/ Q&A Runde
  • Programmable materials and digital fabrication
  • QUT Precincts: Transforming the Laboratory to Achieve Deep Learning and Engagement
  • Raqqa is Being Slaughtered Silently. Die Arbeit der Blogger – IS von innen – der Widerstand – Zukunft Syriens.
  • Refugee Phrasebook part I
  • Refugee Phrasebook part II
  • Rhizome
  • ROBOTS and human history
  • Sazae Bot
  • Sharehaus Refugio. Leben und Arbeiten mit Geflüchteten
  • Silent Signal-Exploring Visionary Science through Experimental Animation
  • Stromatolite / Music Tech Fest: The Transdisciplinary Laboratory
  • TADAEX: Collaborations between artistic & scientific streams[CL1] in Tehran
  • Tagung Partizipation und Politische Sozialisation im Zeitalter neuer Medien: Podiumsdiskussion
  • The Other Face of Character Animation
  • Under the Centipede Sun
  • Visualisation and Simulation in Art & Science
  • Wizards of Data: Embodied Cognition and Animated Visualizations
  • Alchemical Theory & Praxis as a Specific Form of Matériology in an Attempt to Discover Alchemist Principles as Archaic Energies in the Process of Changing the World
  • Animals vs Machines - When Creativity Goes Uncontrollable
  • Art. Audience. Life.
  • Atoms: A collective order, entropy and self Organisation
  • Being a refugee is not a job – How integration in education and working life can succeed.
  • Berlin State Festival: Festival curation; creating an open meeting ground for science and the public
  • BioLogic
  • BNL Media Art Festival: Innovating Media Art through education
  • Cairotronica: Bridging of Audiences and Professionals through Art
  • Can you hear me?
  • Chowberry
  • Contemporary Artistic Perspectives on the Quest for the Gold of our Time and on the Impact of its “Elementary Hallucination(s)”
  • Convention Participation and Political Socialization in the Age of New Media: Panel Discussion
  • Cybernetic Serendipity - a quick tour of the exhibition
  • DISCUSSING THE FUTURE OF THE LABS
  • Enabling Technologies
  • ESA Residency Winner 2016
  • ESO Residency Winner 2016 - Quadrature
  • European Southern Observatory
  • European Space Agency
  • Europe: Refugee crisis or solidarity crisis?
  • Expanded Animation - The Alchemy of Animation / Animation and Artistic Diversity
  • Fablab Egypt: The Rise of the Maker Community in Egypt
  • Form Giving
  • Future Innovators Summit, Final Presentation - Group A
  • Future Innovators Summit: Final Presentation - Group B
  • Future Innovators Summit: Final Presentation - Group C
  • Future Innovators Summit: Final Presentation - Group D
  • Future Innovators Summit: Final Presentation - Group E
  • Future Innovators Summit: Final Presentation - Introduction
  • Future Possibilities of Astrobiological Horticulture
  • Good Practice: Rosenbauer
  • Google ATAP: Making the Entire World Interactive: Innovation and Creativity on a Very Large Scale.
  • Hatred of Helpers – Why is there so much anger especially on the internet and what can we do about hateful comments?
  • Hyundai Motor Group VH Award. Why technology matters in 21st century.
  • inFORM und Beyond
  • InstaHealth
  • In the Jungle of Calais
  • Kinetic
  • LineFORM and Meta-Materiality
  • Museo de la Universidad Nacional de Tres de Febrero: Laboratory–Museum Space: an effective interaction place for Artists and Scientists
  • No Frame
  • Nosaj Thing / Cold Stares ft. Chance The Rapper + The O'My's
  • OpenSurgery
  • P2P Foundation
  • Participation and Political Socialization in the Age of New Media
  • Participation and Political Socialization in the Age of New Media
  • Peripheria
  • Planting Seeds of Surreality
  • Prix Forum II Digital Communities / Q&A Round
  • Prix Forum III Interactive Art+/ Q&A Round
  • Prix Forum IV - Visionary Pioneers of Media Art/ Q&A Round
  • Programmable materials and digital fabrication
  • QUT Precincts: Transforming the Laboratory to Achieve Deep Learning and Engagement
  • Raqqa is Being Slaughtered Silently. The work of the bloggers – IS from the inside – the resistance – Syria´s future
  • Refugee Phrasebook part I
  • Refugee Phrasebook part II
  • Rhizome
  • ROBOTS and human history
  • Sazae Bot
  • Sharehouse Refugio – Living and working with refugees
  • Silent Signal-Exploring Visionary Science through Experimental Animation
  • Stromatolite / Music Tech Fest: The Transdisciplinary Laboratory
  • TADAEX: Collaborations between artistic & scientific streams[CL1] in Tehran
  • The first restaurant from refugees for Austrians
  • The Other Face of Character Animation
  • The Refugee Phrasebook
  • Under the Centipede Sun
  • Visualisation and Simulation in Art & Science
  • Wizards of Data: Embodied Cognition and Animated Visualizations

2015

  • Abschlusspräsentation: Connected Intelligence Atelier - Group D
  • Abschlusspräsentation: Connected Intelligence Atelier - Gruppe E
  • Abschlusspräsentation: Connected Intelligence Atelier - Gruppe F
  • Abschlusspräsentation: Future Innovators Summit - Gruppe A
  • Abschlusspräsentation: Future Innovators Summit - Gruppe B
  • Abschlusspräsentation: Future Innovators Summit - Gruppe C
  • Adjusting the Promise of Stereoscopy
  • A little less pictures, a little more space: expanded animation and the poetics of scale
  • Animation to illustrate life
  • Ars@CERN
  • Art and Biomedia: Aliveness, fruitful misunderstanding and the epistemological turn
  • ARTSAT1:Invader
  • Art & Science – relationships
  • Art & Science Residency Award @ ESO
  • Art & Science - what is it good for?
  • a word fit for grandchildren
  • Bär
  • Building future resilience with social capital
  • Chijikinkutsu
  • Co-Creation as a way to hack the status quo
  • Collide@CERN Preisträger Ryoji Ikeda
  • Connected Intelligence and Post City
  • Connecting Cities Conference – Panel Discussion
  • Connecting Cities Conference - Welcome Address
  • Connecting Ideas 1 – Connected Intelligence Atelier, Group D
  • Connecting Ideas 1 - Future Innovators Summit, Group A
  • Connecting Ideas 1 - Future Innovators Summit, Group B
  • Connecting Ideas 2 – Connected Intelligence Atelier, Group E
  • Connecting Ideas 2 – Connected Intelligence Atelier, Group F
  • Connecting Ideas 2 – Future Innovators Summit, Group C
  • criticism of the Smart City concept, participation and socalled civic technologies
  • Digital Communities
  • Drumming is an Elastic Concept
  • Einführung Prix Forum I – Computer Animation / Film / VFX
  • Einleitung - Prix Forum II – Visionary Pioneers of Media Art
  • European Digital Art and Science Network - Center for the promotion of science
  • European Digital Art and Science Network - DIG Gallery
  • European Digital Art and Science Network - GV Art
  • European Digital Art and Science Network - Kapelica Gallery
  • European Digital Art and Science Network - Laboral
  • European Digital Art and Science Network - Science Gallery
  • European Digital Art and Science Network - Zaragoza City of Knowledge Foundation
  • Future Robotics Technology Center
  • Future Robotics Technology Center
  • Futures Studies & Ideation
  • India´s Urban Awakening
  • Jeffrey Shaw
  • Knowledge Capital
  • Manila Improstructure
  • Matters Of Gravity
  • Mobile Matter. Future Mobility & Radical Atoms
  • Nepal Project
  • Now You Touch It, Now You Don´t: Experiments in Virtual Interfaces
  • own projects in Art & Science
  • Plantas Autofotosintéticas
  • Questions – Prix Forum I – Computer Animation/ Film/ VFX
  • Refugee Camps
  • Research Collaboration between Mercedes Benz and Ars Electronica Futurelab
  • Self made city
  • Semiconductor (UK)
  • Social Business
  • Sound ecology
  • Soya C(o)u(l)ture
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop - Einführung Robert Madelin
  • Technology, Politics and Nature
  • Temps Mort/ Idle Times
  • The European Southern Observatory
  • The Journey
  • They solved art
  • Under Way
  • urban analysis and visualization
  • Urban data
  • Urban Design Laboratory
  • Urbanisation as Disaster
  • urban planning – how smart can we be?
  • Visionary Pioneers of Media Art
  • What competences are people going to need to live in Smart Cities
  • XXLab
  • Adjusting the Promise of Stereoscopy
  • A little less pictures, a little more space: expanded animation and the poetics of scale
  • Animation to illustrate life
  • Ars@CERN
  • Art and Biomedia: Aliveness, fruitful misunderstanding and the epistemological turn
  • ARTSAT1:Invader
  • Art & Science – relationships
  • Art & Science Residency Award @ ESO
  • Art & Science - what is it good for?
  • a word fit for grandchildren
  • Bär
  • Building future resilience with social capital
  • Chijikinkutsu
  • Co-Creation as a way to hack the status quo
  • Collide@CERN prizewinner Ryoji Ikeda
  • Connected Intelligence and Post City
  • Connecting Cities Conference – Panel Discussion
  • Connecting Cities Conference - Welcome Address
  • Connecting Ideas 1 – Connected Intelligence Atelier, Group D
  • Connecting Ideas 1 - Future Innovators Summit, Group A
  • Connecting Ideas 1 - Future Innovators Summit, Group B
  • Connecting Ideas 2 – Connected Intelligence Atelier, Group E
  • Connecting Ideas 2 – Connected Intelligence Atelier, Group F
  • Connecting Ideas 2 – Future Innovators Summit, Group C
  • criticism of the Smart City concept, participation and socalled civic technologies
  • Digital Communities
  • Drumming is an Elastic Concept
  • European Digital Art and Science Network - Center for the promotion of science
  • European Digital Art and Science Network- DIG Gallery
  • European Digital Art and Science Network - GV Art
  • European Digital Art and Science Network - Kapelica Gallery
  • European Digital Art and Science Network - Laboral
  • European Digital Art and Science Network - Science Gallery
  • European Digital Art and Science Network - Zaragoza City of Knowledge Foundation
  • Final Presentation: Connected Intelligence Atelier - Group E
  • Final Presentation: Connected Intelligence Atelier - Group F
  • Final Presentation: Connected Intelligence Atelier - Gruppe D
  • Final Presentation: Future Innovators Summit - Group A
  • Final Presentation: Future Innovators Summit - Group B
  • Final Presentation: Future Innovators Summit - Group C
  • Future Robotics Technology Center
  • Future Robotics Technology Center
  • Futures Studies & Ideation
  • India´s Urban Awakening
  • Introduction Prix Forum I – Computer Animation / Film / VFX
  • Introduction - Prix Forum II – Visionary Pioneers of Media Art
  • Jeffrey Shaw
  • Knowledge Capital
  • Manila Improstructure
  • Matters Of Gravity
  • Mobile Matter. Future Mobility & Radical Atoms
  • Nepal Project
  • Now You Touch It, Now You Don´t: Experiments in Virtual Interfaces
  • own projects in Art & Science
  • Plantas Autofotosintéticas
  • Questions – Prix Forum I – Computer Animation/ Film/ VFX
  • Refugee Camps
  • Research Collaboration between Mercedes Benz and Ars Electronica Futurelab
  • Self made city
  • Semiconductor (UK)
  • Social Business
  • Sound ecology
  • Soya C(o)u(l)ture
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop
  • STARTS Workshop - Introduction Robert Madelin
  • Technology, Politics and Nature
  • Temps Mort/ Idle Times
  • The European Southern Observatory
  • The Journey
  • They solved art
  • Under Way
  • urban analysis and visualization
  • Urban data
  • Urban Design Laboratory
  • Urbanisation as Disaster
  • urban planning – how smart can we be?
  • Visionary Pioneers of Media Art
  • What competences are people going to need to live in Smart Cities
  • XXLab

2014

  • A Rapid Look At Kodak Electronics Innovation
  • Argan Oil - Raising the standard of rural living in Marocco
  • Connecting Cities Projects 2014
  • Creative Collisions
  • Future Innovators Summit
  • Prix Forum III - Visionary Pioneers of Media Art
  • Real Imaginary Objects
  • Storytelling for a change
  • The Barefoot College
  • Visionary Pioneers of Media Art
  • A Rapid Look At Kodak Electronics Innovation
  • Argan Oil - Raising the standard of rural living in Marocco
  • Connecting Cities Projects 2014
  • Creative Collisions
  • Future Innovators Summit
  • Prix Forum III - Visionary Pioneers of Media Art
  • Real Imaginary Objects
  • Storytelling for a change
  • The Barefoot College
  • Visionary Pioneers of Media Art

2013

  • Acoustic Time Travel
  • Arte Astronomia
  • Die vergessene Geschichte des Recalls: Emanuel Goldberg und andere Pioniere
  • DNA als Speichermedium
  • Formen des Vergessens
  • Leben mit der Diagnose Lewy-Body-Demenz
  • Music and Media Art
  • The Cube
  • Wissensorganisation Jenseits von Gutenberg: Paul Otlet
  • Acoustic Time Travel
  • Arte Astronomia
  • DNA as data storage medium
  • Forms of Forgetting
  • Living with the diagnosis Lewy-Body-Demenz
  • Music and Media Art
  • Organisation of knowledge beyond Gutenberg: Paul Otlet
  • The Cube
  • The Forgotten History of Recall: Emanuel Goldberg and other Pioneers

2012

  • Bio Art
  • Biotricity - A Vast Energy From Waste-Water
  • Collide@CERN Preisträger Julius von Bismarck
  • Gedanken und Projekte zur neuen Biotechnolgie
  • Hack the City
  • My Breath My Music
  • OHMI - True Musical Instruments & Disability
  • Wie entstehen Weltbilder?
  • Bio Art
  • Biotricity - A Vast Energy From Waste-Water
  • Collide@CERN prizewinner Julius von Bismarck
  • Hack the City
  • How Do World Pictures Take Shape?
  • My Breath My Music
  • OHMI - True Musical Instruments & Disability
  • Projects and thoughts concerning the new biotechnolgy

2011

  • Bürgermobilisierung: Das Internet und dezentralisierte Kommunikation für sozialen Wandel
  • Choke Point Project
  • Das neue Abenteuer der Sprache
  • Die Tunesische Revolution - Eine Internet Revolution?
  • Die Welt der Quanten - Von fundamentalen Fragen zu einer neuen Technologie
  • Energy Field
  • Generation FAB
  • Hybrid Art 2011
  • International Physics Masterclasses
  • Managing Science and Innovation
  • May the Horse Live in me
  • Musical Interfaces
  • ORIGIN - wie alles begann
  • Pigeon d'Or
  • Public Square Squared - How Social Fabric Is Weaving A New Era
  • Re-thinking knowledge production
  • Social Media und Kollektives Handeln Unter Autoritären Regimes
  • The Goldilocks Enigma / Der kosmische Volltreffer
  • Where Art And Science Collide
  • A new Adventure of Language
  • Choke Point Project
  • Citizen mobilizations: The Internet and decentralized communications for social change
  • Energy Field
  • Generation FAB
  • Hybrid Art 2011
  • International Physics Masterclasses
  • Managing Science and Innovation
  • May the Horse Live in me
  • Musical Interfaces
  • ORIGIN - how did every thing begin?
  • Pigeon d'Or
  • Public Square Squared - How Social Fabric Is Weaving A New Era
  • Re-thinking knowledge production
  • Social Media and Collective Action Under Authoritarian Regimes
  • The Goldilocks Enigma / Der kosmische Volltreffer
  • The World of Quanta: From Fundamental Questions to a New Technology
  • Tunisian Revolution - An Internet Revolution?
  • Where Art And Science Collide

2010

  • Dichte und das Recht auf Bewegung
  • How to design for a sustainable mobility? 1. Vortrag
  • How to design for a sustainable mobility? 2. Vortrag
  • Immobilität
  • Mobilität und Urbane Umwelt
  • Repair Conference - Doing the right thing
  • Density and the right to move
  • How to design for a sustainable mobility? 1st lecture
  • How to design for a sustainable mobility? 2nd lecture
  • Immobility
  • Mobility and Urban Environments
  • Repair Conference - Doing the right thing

2009

  • Cloud Cartography
  • Cloud Intelligence - encouraging collaboration
  • Cloud Intelligence Symposium
  • Cloud Intelligence Symposium
  • Der Indiskrete Charme der Cybourgeoisie
  • Europäische Kulturgeschichte der Automaten
  • Evolutionäre Psychologie und der Ursprung der menschlichen Natur
  • History Talk II - Teil 1
  • History Talk II - Teil 2
  • History Talk VIII - Teil 1
  • History Talk VIII Teil 2
  • Jenseits von Gut und Böse
  • Leben, Tod und Verfall - Begegnungen zwischen Kunst und Wissenschaft
  • Modeling Human Disease
  • Natural History of the Enigma
  • Nemo Observatorium
  • Speeds of Time
  • WikiLeaks
  • Beyond good and evil
  • Cloud Cartography
  • Cloud Intelligence - encouraging collaboration
  • Cloud Intelligence Symposium
  • Cloud Intelligence Symposium
  • European history of automatons
  • Evolutionary psychology and the origin of human nature
  • History Talk II - part 1
  • History Talk II - part 2
  • History Talk VIII - part 1
  • History Talk VIII - part 2
  • Life, finitude and decay - Encounters between art and sience
  • Modeling Human Disease
  • Natural History of the Enigma
  • Nemo Observatorium
  • Speeds of Time
  • The Indiscreet Charm of the Cybourgeoisie
  • WikiLeaks

2008

  • Absolut Quartet
  • Can Free Culture Survive Sytemization?
  • Cultural Production in Terms of Music and Films
  • Diebstahl, Plagiat und Piraterie
  • Eigentum und Biotechnologie
  • Eine kleine Erfolgsgeschichte des Diebstahls